Indie Pop

New EP: 250cc || We Can​´​t Sleep At Night

A colorful collage for the restless

250cc is an Italian-French indie duo—Alice Huet and Guido Giorgi—based in Germany. Their sophomore EP We Can’t Sleep At Night contains six original songs that are restless and richly filled. Expect a dynamic collage of pop, rock, psych and prog influences, as a sonic space for tempo changes and an abundance of colorful ideas. The five-plus minutes of standout track The Other Side in particular are a successful demonstration of effective creativity.


We Can​´​t Sleep At Night, recorded, mixed and produced by Guido Giorgi, is out now digitally and on 12″ vinyl (self-released). Also featuring Francesco Candura (bass) and Liviano Mos (synthesizer).

Add to wantlist: Bandcamp

New EP: Grapes of Grain || Christmas Grapes

With a charming tribute to watching the BBC during the holidays

Hot on the heels of their commendable Painted Windows LP, Dutch indie pop/alt.country band Grapes of Grain returns with the Christmas Grapes EP. It contains three original songs—the title gives away the theme—that are just as melancholic and atmospheric as we are used to. Opening track Christmas TV (I Want The BBC) stands out here, a charming tribute to the quality films that the British channel broadcasts during the holidays. This is followed by the ballad There Is A House In The Distance, musing on the familiar sight of X-mas lights that are always on, before closing with the short ditty July In The Winter, about the love of sunny days—snow is just fun for a day.


Christmas Grapes is out digitally via Drag Days Records. Featuring Alexis Vos (vocals, acoustic guitar), Berend Jan Ike (guitars, banjo, bass, piano, vocals), Julia Cunningham (vocals) and Jelmer de Haas (drums).

Add to wantlist: Bandcamp

New album: Ceramic Animal || Cosmic Eraser

Perfect garage pop tunes in a stylish disguise

Eight irresistible songs, that’s what Doylestown, Pennsylvania-based five-piece Ceramic Animal brings to the table on Cosmic Eraser, their fifth full-length album. Due to the appealing ragged edge of its sound, I would label it as garage pop, but judging by the clothing style of the band members—brothers Chris (vocals, guitar), Elliott (vocals, keys) and Erik Regan (drums), with childhood friends Anthony Marchione (guitar) and Dallas Hosey (vocals, bass)—psychedelic nightclub glam seems to be more appropriate. Anyway, everything is actually right here, from the graceful guitar melodies and skilled rhythm section to the slightly gritty vocals and warm harmonies, but it is especially the loose and laidback feel that they convey that creates a blissful atmosphere.




Cosmic Eraser is out now digitally and soon also on vinyl LP (self-released). RIYL: The Growlers, Trudy and the Romance, Twin Peaks.

Add to wantlist: Bandcamp || Ceramic Animal

New single: Swansea Sound || (I Wanna Wear A) Mirrored Hat Like Slade

"What I wanna do // Is take your hand // And dance the night away // To Mud and Wham"

Idiosyncratic UK indie outfit Swansea Sound continue their December tradition of releasing new Christmas music on a CD single in a festive greetings card. After Happy Christmas To Me (2021, at the time on 7″ vinyl), Music Lover (2022) and Santa Bail Me Out (2023), the five veteran musicians now delight us with the original songs (I Wanna Wear A) Mirrored Hat Like Slade b/w Dreamland. The title track is a cheerful and vibrant rocker, with highly entertaining lyrics for people like you and me who—during this period—prefer Slade’s Merry Xmas Everybody and Mud’s Lonely This Christmas over all electronic kitsch. The other tune is a bit more melancholic, with a carefree feel in the chorus but a dark undertone in between. Who wouldn’t want to receive this in their mailbox?

(I Wanna Wear A) Mirrored Hat Like Slade is out now digitally and on CD in a Christmas card through Skep Wax Records. Featuring Hue Williams (vocals), Amelia Fletcher (guitar), Ian Button (drums), Bob Collins (guitar) and Rob Pursey (bass), with additional vocals by Betty Thomas. Cover art by Catrin Saran James.

Add to wantlist: Bandcamp || Skep Wax 

New album: Waterboarding School || The Little Sports Mirror

Sun-soaked sonic goodness from Gothenburg, Sweden

Waterboarding School is not a secretive CIA plot, but a five-piece from Gothenburg (Sweden) who just dropped their third album The Little Sports Mirror. Comprised of 8 tracks that just touch twenty minutes, Waterboarding School make it almost too easy to enjoy the record.

Their surfy garage pop is sun-kissed and West Coast influenced (think Allah-Las). The band keeps the pace going—bopping your head quickly becomes inevitable, but they make it feel leisurely and relaxed, and that sure is a nice space to reside in.



Add to wantlist: Bandcamp

Dusted || The 10 Best Cover Songs Of November 2024

Not all new music is really new, as many artists cover songs. Sometimes these are songs by their favorite artists, eg as a tribute to such a musical hero for a special reason, or they simply feel that a song deserves to be dusted and polished to reacquaint fans with great songs from the past. Other times, bands cover songs as a parody. Regardless of intent, some of those cover versions are so good or so much fun, we’d like to put a spotlight on them. Chosen from a wide range, here are – in random order – ten of our favorite covers from last month – links to the pages where you can add them to your wantlist included.

In November, Haruomi Hosono (by various artists), Margo Guryan (various artists), Green Day (Billy Cobb) and Joy Division (The Routes) were put in the spotlight, and numerous Christmas classics were given new packaging, but here we list some other choice cuts.

Empty Sky || Cover: The Fleshtones || Original: Elton John
Forty-five years after their first release, New York garage rock legends The Fleshtones dropped a new worthy long-player, titled It​’​s Getting Late (​…​and More Songs About Werewolves), out on Yep Roc. Besides strong self-penned songs like Way of the World and Wah Wah Power, there are good covers of The Hearse (written by Lee Hazlewood, first released by Al Casey) and Empty Sky (written by Elton John and Bernie Taupin, first released by Roy Everett but a month later also by Elton John), all in the band’s signature sound.

New album: Slouching Sparrows || Slouching Sparrows

Attractive debut charms with jangly guitars and poetic lyrics

Slouching Sparrows is the “glue wave” project of South American-born/England-based singer-songwriter Rohan Fitzpatrick—his Analogue Agaric blog shows he’s multi-talented. On this self-titled debut album you will hear twelve lo-fi tunes, recorded this year in various bedrooms and kitchens, using a 1975 guitar and a mountain of pedals, a smutty microphone and a Tascam 8-Track Digital Portastudio, but above all a good dose of courage and creativity. It is a fascinating search for an own musical identity, working with jangling guitar melodies, a vintage-sounding drum machine, pleasant vocals and relatable lyrics full of imagination. The result is more than appealing.



The self-titled Slouching Sparrows album is out now digitally, on cassette and CD, via Analogue Agaric Records.

Add to wantlist: Bandcamp

New EP: Horse Chops || Bureaucratic Tone

"Hey Mr. Headphones, whatcha listening to?"

Canadian indie trio Horse Chops made quite an entrance last year with their self-titled debut EP, not least because of their amazing lyrics. Songwriter Adam Beardsworth (guitar, lead vocals), Neil Targett (bass, vocals) and Craig Caines (drums) are back with the Bureaucratic Tone EP, another four tracks that I can’t get out of my head after just one listen. Lead single Mr. Headphones in particular is a hit for the ages—also an eye-opener for people, like me, who are so curious about what other people are listening to, that they bother them—that is irresistible in both chorus and melody. The other tunes are worthy too, though. This is jangly and fuzzy indie rock with hints of garage psych and dream pop, and enough hooks and noise to appeal to fans and critics alike.


The Bureaucratic Tone EP is out digitally (self-released).

Add to wantlist: Bandcamp

New single: Ryli || I Think I Need You Around b​/​w When I Fall

The Bay Area's new indie dream team, with members of Yea-Ming and The Rumours, The Goods, Latitude, and Sonny and the Sunsets

When Yea-Ming Chen (Yea-Ming and The Rumours) and Rob Good (The Goods) met up to record a cover for Dandy Boy’s Cleaners From Venus tribute album, they ended up birthing something entirely their own. Add Luke Robbins (ex-Latitude, RE Seraphin) and Ian McBrayer (ex-Sonny and The Sunsets, ex-Healing Potpourri) to the mix, and Ryli emerges as a kind of Bay Area dream team.

Their first release meets and exceeds expectations. This is West Coast indie pop that holds the middle ground between Camera Obscura and (early) Best Coast. Chen’s gentle and gorgeous vocals complement Good’s shimmering and jangly guitar work perfectly, combining for a sound that’s warm and nostalgic, but fresh and timeless rather than dusty or musty. Both I Think I Need You Around and When I Fall fit the double A-side label Dandy Boy Records have given this 7″ release-the former a perfect pop hit, the latter a hazy, contemplative gem.

Here’s to hoping this new musical collaboration gets many sequels!

Add to wantlist: Bandcamp

New album: Sorry Monks || Recipe

First long-player blends Beatlesque 60s psychedelia with warm and timeless vibes

Last February, Sorry Monks debuted with the Girlfriend EP, which was followed mid-year by the Wasting My Time EP, and after those two collections of six songs, here is the first full-length album, entitled Recipe, with another fourteen tunes. We’re talking about prolific British singer-songwriter/multi-instrumentalist Oliver Flanagan, delivering jangly indie pop that is warm and timeless. At times slightly psychedelic, reminiscent of the Beatlesque 60s, but it’s the memorable wordplay, pleasant vocals and charming melodies that make this release so appealing and captivating.



Recipe is out now digitally, and on CD early next year, through Subjangle.

Add to want list: Bandcamp

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