Surf

New album: Emi Pop || No Te Voy a Extrañar

A genre-hopping debut for those who like their music catchy and energetic

Pick any random track from No Te Voy a Extrañar and you might think you’ve figured out Seattle-by-way-of-Puerto-Rico artist Emi Pop. You’d be wrong. Depending on where you drop the needle, this debut could pass for garage pop (Venezia), ramonescore (Quiero Bailar Rocanrol), pop punk (Amigos Vampiros), bubblegrunge (Amor de Verano), beach pop (No Puedo Dormir), electro pop (Lo Sé), or even a ‘60s girl group revival (Te Busqué).

But that’s the beauty of it — Emi Pop refuses to pick a lane and instead swerves joyfully through them all, powered by pure melodic adrenaline. The common denominator? Every song is catchy enough to disarm even the most hardened cynic. NATO may urge you to bolster your defenses, but my advice is simpler: surrender now and and let the hooks take over.

From what I gather, No Te Voy a Extrañar (which translates to I’m Not Going to Miss You) is equal parts heartbreak and liberation. Well, Emi Pop sure turns goodbye into a danceable declaration of independence. LP out now on Fink City.



Add to wantlist: Bandcamp || Fink City

New album: Mellow Spiders || The Curse of The Cursed Monkey

Catchy... with a catch

If you love The Kung Fu Monkeys, you’ll get a kick out of Mellow Spiders and their The Curse of The Cursed Monkey. Before I say more, I’d actually suggest listening first — it might change how you feel about what comes next.

Heard it? Super catchy, right? These 60-second songs sound like unpolished cartoon theme tunes — pure, sugary pop-punk fun.

But here’s the twist: parts of this record were created using A.I. Not entirely, though. Behind the project is Leander Grasse, who writes lyrics and rough demos before feeding them — along with reference tracks (Kung Fu Monkeys!) — into an A.I. system to flesh out the sound. (See also his Kooky Kats project, which spawned hits like this one).

I mention this because we’re increasingly stumbling across releases where A.I. seems to play a role — and it’s getting harder to tell. Chances are, we’ve already featured a few on the site without realizing, one where we were in the know and left it up to our readers to decide, and one where we only found out later. It’s a strange feeling when your excitement about new music comes with a flicker of doubt, not unlike how Video Assisted Refereeing (VAR) dulls the instant joy of a goal scored by your favorite team.

Maybe it doesn’t matter — maybe a good song is a good song, even if a machine helped build it. But it does raise questions about where the line is, and what it means for real musicians. A.I. isn’t inherently bad, but a little transparency would go a long way. The uncertainty takes some of the joy out of discovery.

Weird times indeed — and The Curse of The Cursed Monkey is undeniably catchy. Still, I can’t help thinking I’d love it more if it were 100% human.



Add to wantlist: Bandcamp

New album: Naïm Amor & Kid Congo Powers || Tuscon Safari

A cinematic, playful, and raw collaboration, evoking dusty highways and neon-lit nights

When Paris-born/Tucson-based musician Naïm Amor (Amor Belhom Duo, Howe Gelb, John Parish, …) met garage rock legend Kid Congo Powers (The Gun Club, The Cramps, Nick Cave & The Bad Seeds, …), sparks were inevitable. Tucson Safari is the sound of those sparks catching fire—a sun-baked collision of cinematic rockabilly and noir surf, of desert twang and analog electronics. Amor started by blending garage-y guitar tones with drum machines and bass synthesizers, inspired by Link Wray’s grit and Suicide’s mechanical pulse. Inviting Kid Congo to trade riffs turned the project into something wilder—an electric conversation between two singular stylists.

Across ten songs—largely instrumental explorations—Amor’s melodic shimmer and harmonic curiosity twist around Kid’s unmistakable fuzzy slides and swampy swagger. How cool would it be if eccentric tunes like Stoned By The Mile, Ouch, or Ping Guitar Pong were featured in a movie? For now, I suppose they would also make good ringtones, but that would be shortchanging the genius of their creators. This isn’t just a meeting of minds; it’s a duel, a dance, and a desert hallucination captured in darkly groovy guitar art.



Tuscon Safari—written, performed, and produced by Naim Amor and Kid Congo Powers—is out now digitally and vinyl LP through In The Red Records.

Add to wantlist: Bandcamp || In The Red

New album: The Kilaueas || Magma Chamber

Lava-hot melodies from the edge of an endless wave

Over 25 years into their career, Berlin surf rock outfit The Kilaueas haven’t lost their sacred fire. For those who feared they’d taken an insurmountable risk with 2018’s Touch My Alien, they’re now taking on an even greater challenge by delving into the Magma Chamber on their reverb-heavy sixth full-length album.

Ralf Kilauea (guitar), Tom Kilauea (guitar), Jaque Kilauea (bass), and Perzi Kilauea (drums, samples) unleash twelve new instrumentals that are as fresh and inspired as they are dark and smoky. They tick all the boxes for what makes the genre so great, but besides the original melodies, it’s the superb production that deserves a mention—it sounds like you’re right there with the musicians in a recording studio.



Magma Chamber, produced by Kilian Gilberg, is out now digitally and on vinyl LP through Allscore.

Add to wantlist: Allscore || Bandcamp

New album: The Frigidaires || Hot Vacation

It isn’t just a surf record—it’s an adventure

We already knew The Frigidaires have what it takes to Play It Cool, but now they prove they can also single-handedly summon the sun no matter the time of year. The Atlanta, Georgia-based combo takes us on a Hot Vacation to fourteen original destinations where uplifting guitars, straightforward drums, and lush harmonies collide with unexpected detours. This time around, they also travel with strings, horns, steel guitar, baritone, and layered percussion, adding cinematic depth to their summery sound.

The new album is largely instrumental, but the three vocal songs—the catchy, Beach Boys-indebted title track, the beautiful ballad Why Do You Run?, and the breezy blow You Read My Mind—provide extra warmth. This journey through surf pop, spaghetti western, exotica, doo-wop, and cumbia makes escapism sound essential.



Hot Vacation—produced, recorded, and mixed by Chad Shivers—is out now digitally, on CD and vinyl LP, via Colorado Instrumental Fanzine. Featuring Nick Bazemore (guitars, vocals), Brad Mattocks (guitars, vocals), Chad Shivers (guitars, vocals), Matt Steadman (bass), and Sean Zearfoss (drums), with Eric “The Talent” Balint (vibraphone, bells, percussion), Herbie Dorfzaun (tenor sax), Patrick Hydo (horn), Kane Manakoora (steel guitar), Stephen Musker (trumpet), and Charles Page (violin) on select tracks. The amazing cover art is by Scott Sugiuchi.

Add to wantlist: Bandcamp

New EP: The Del Roswells || You Fly The Tic Tac Wrong

"Klattu, Barada, Nikto, Let's Go!"

British sci-fi surf outfit The Del Roswells follow up last year’s Operation Roswell LP with the You Fly The Tic Tac Wrong EP, a bold step into uncharted territory. Their trademark surf rock sound is still the launchpad, but the four new songs rocket deeper into rockabilly orbit. Perhaps the biggest surprise: after leaning heavily on instrumentals in the past, vocals now take center stage, and they fit like a space glove.

From the rip-roaring opener Klattu, Barada, Nikto, Let’s Go! (its title borrowed from the 1951 film The Day the Earth Stood Still) to cinematic closer Italian Deep Dish Alien Biscuits, not only are the titles spot on, these tunes are as catchy as they come. It begs the question: is there a dance floor in space? If so, there’s no mistaking what’s blasting out of those speakers.

You Fly The Tic Tac Wrong is out now digitally (self-released).

Add to wantlist: Bandcamp

New EP: Mark Malibu & the Wasagas || Pepper Stomp!

Hey!

Canadian surf punks Mark Malibu & the Wasagas are back with four instrumentals that prove they’ve still got it. On the Pepper Stomp! EP, Mark Malibu aka Mark Sanders (electric guitars) and his friends—Fast Mike (guitar), Ricky Wasaga (bass), Stiv T (drums, percussion), and Starlotte Satine (go-go)—enchant with unique melodies that will have surf fans around the world dancing. The “Hey”s on the title track make the biggest waves.


The Pepper Stomp! EP, written and produced by Mark Sanders, is out now digitally via Sharawaji Records.

Add to wantlist: Bandcamp

New album: Delicious Patricia || Mordros – The Sound Of The Surf

Tunes of twang, tide, and twists

Delicious Patricia are a surf rock trio from a garage in mid Cornwall, UK, featuring Simon Trundle (guitars), Tony O-Rourke (bass, vox effects), and Rob Smith (drums, cowbells, vox effects). Their debut LP Mordros—Cornish for The Sound Of The Surf—counts fifteen instrumentals, seven self-penned tunes, and eight covers, including The Pyramids’ Penetration, Wild Billy Childish’s Poka Hontas, Focus’ Hocus Pocus, and Kraftwerk’s The Model. Crashing guitars recast yesterday’s sound for today and tomorrow—solid, fresh, and exciting.




Mordros—recorded by Brendan McGreal—on CD and vinyl LP, is out now digitally through Spinout Nuggets.

Add to wantlist: Bandcamp || Discogs || Spinout Productions

New album: I. Jeziak and The Surfers || I. Jeziak and The Surfers

California dreams, straight out of Gdańsk

For exciting surf music, we turn our attention today to Poland—yes, you read that right—where composer/multi-instrumentalist Igor Jeziak and his Surfers forged the eighteen original instrumentals for their eponymous debut LP. A quick glance at the vintage cover art and you know what to expect: surging guitars that let melodies roll, wrapped in a reverb-drenched sound. What the musicians bring to the table here, however, is remarkably fresh, with notes in a previously unheard order. This is a cinematic love letter to the 60s, keeping the spirit of Dick Dale alive.



I. Jeziak and The Surfers’ self-titled debut album is out now digitally and on vinyl LP through Hi-Tide Recordings.

Add to wantlist: Bandcamp || Hi-Tide

Dusted || The 10 Best New Cover Songs Of August 2025

Not all new music is really new, as many artists cover songs. Sometimes these are songs by their favorite artists, eg as a tribute to such a musical hero for a special reason, or they simply feel that a song deserves to be dusted and polished to reacquaint fans with great songs from the past. Other times, bands cover songs as a parody. Regardless of intent, some of those cover versions are so good or so much fun, we’d like to put a spotlight on them. Chosen from a wide range, here are – in random order – ten of our favorite covers from last month – links to the pages where you can add them to your wantlist included.

Drowning || Cover: The Sleeveens || Original: Reigning Sound
A favorite newer band covering a favorite older band, that just had to be the opening tune here. Nashville/Dublin-based pub rock outfit The Sleeveens—check out last year’s eponymous debut LP if you missed it—are back with the powerful new single Downtown. The B-side of the vinyl 7″ (out through Goner Records) has a reverent take on the Greg Cartwright-penned song Drowning, taken from Reigning Sound’s 2004 album Too Much Guitar.

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