Funk & Soul

Music Year-End List || Dennis’ Favorite Albums of 2025

“When the universe looks right at you // You’d be wise to hold its gaze // Averted, missed opportunities // A crisis on its way” (from Universe Blues by Moon Orchids).

“What once was pure through your childish eyes is complicated by the truth // What once was pure as a shot so sure has you longing for a time // When you could stand judging right and wrong through tight drawn blinds // At safe distance” (from At Safe Distance by Patterson Hood).

We live in uncertain times, but music still knows how to meet us wherever we are, whether by giving voice to our feelings, offering an empathetic hug, or simply providing a much-needed distraction. The journeys songwriters take—often more compelling than any destination—lead us through personal and family reconciliation, anxiety and imagination, nostalgia and escapism, emotions and vulnerability, holding on and giving up. Bridging past and present, my favorite musicians and new discoveries shape their messages and sounds with equal parts mind and heart (usually with a guitar in hand, but that goes without saying). Throughout last year, there was plenty to appreciate, if not get completely lost in.

In 2025, I checked out 2,600+ new albums—it’s far from possible to listen to everything that came out—which ultimately led to a diverse longlist of 130 wantlist-worthy releases (the ones I was able to buy are shown in the photo above). Let’s dive in. The 50 records I liked and played the most—is there any accounting for taste?—are listed below, each with a standout song embedded (it’s all about the music after all). Links point to Discogs or Bandcamp (the headings), and where available to our previously posted, more extensive reviews (in the body text). As always: add to your wantlist—or even better: your collection—whatever you like!

Dusted || The Best New Cover Songs Of November 2025

Not all new music is really new, as many artists cover songs. Sometimes these are songs by their favorite artists, eg as a tribute to such a musical hero for a special reason, or they simply feel that a song deserves to be dusted and polished to reacquaint fans with great songs from the past. Other times, bands cover songs as a parody. Regardless of intent, some of those cover versions are so good or so much fun, we’d like to put a spotlight on them. Chosen from a wide range, here are—in random order—a bunch of successful covers from last month—links to the pages where you can add them to your wantlist included.

Regular visitors to this monthly column will notice the absence of reviews like those you’ve read in previous years. At the same time, you’ll see more than the usual ten choice cuts embedded. Less text, more music—I assume you’re okay with that!?

Its The Most Wonderful Time of The Year (Andy Williams) by Kiss the Scientist — from Happy Holidays EP (Take This To Heart Records)

The Man Comes Around (Johnny Cash) by Pulp — from The Man Comes Around 12″ (Rough Trade Records)

I Don’t Want to Get Over You (The Magnetic Fields) by Superchunk — digital track (Merge Records)

We can’t share all 50-100 nice covers we encounter on average, just a selection of top picks. Read on for covers of songs by Buzzcocks, Tom Waits, Prince, and more. Let us know if anything is missing that we shouldn’t have overlooked.

New single: Party Dozen || Mad Rooter / Ghost Rider

Feral intensity and glorious disorder

The improvisational Australian duo Party Dozen—saxophonist Kirsty Tickle and percussionist Jonathan Boulet—return with a 7” that’s pure noise-funk mayhem, pairing the outrageous new single Mad Rooter with a ace cover of Suicide’s Ghost Rider.

The A-side is a floor-filling banger that lurches and swaggers with glorious off-grid menace, wild, chaotic, and defiant—guitars, sax, drums, electronics, but above all a completely irresistible groove. The B-side is even more raucous and unearthly, with a larger role for synths, though it has a garage-punk feel. One word: wow!


Mad Rooter b/w Ghost Rider is out now digitally and on 7″ vinyl through City Slang and GRUPO.

Add to wantlist: Bandcamp || City Slang || Discogs

New EP: Paranoia Pop || Cocoa Puff Radio

Catchy chaos with cartoon charm

“Paranoia Pop is Skivvy Pete on vocals, Marshmallow Man on bass, Sticky Sam on guitar, and Bird Brain on drums!”

Probably not their real names — but definitely a real band. Their latest release plays like the strangest AM radio station you’ve ever stumbled upon, flipping between catchy chaos and total weirdness.

The EP closes with Paranoia, an 11-minute, non-musical swirl of samples, soundscapes, and hypnotic repetition. Before that, Paranoia Pop take you on a wild ride of hips, shakes, and technicolor hooks — a cartoonish collision of They Might Be Giants, The Kasenetz-Katz Super Circus, Talking Heads, The Psychedelic Furs, The Monochrome Set, and Architecture in Helsinki.

It’s weird, it’s playful, it’s undeniably pop — and it’s a blast from start to finish.

First run of cassettes limited super exclusively to just 5 copies at Boot Liquor Records.


Add to wantlist: Bandcamp

New album: Tracey Miller || Queen Of The Creek

The sound of an experienced artist reclaiming her voice and her crown

At last, Australia’s beloved gospel, soul and rhythm & blues artist Tracey “Mama” Miller steps into the spotlight—with Queen of the Creek, a solo debut that’s as defiant and life-affirming as the woman behind it. After decades of singing everywhere, from Harlem subways to Soweto churches, she channels a lifetime of stories into seven songs that radiate warmth, wisdom, and fire.

It’s a journey from grief and isolation to empowerment and grace, celebrating survival, womanhood, and the passionate beauty of carrying on. The lyrics are rooted in resilience, love, loss, and self-renewal, reclaiming strength and identity. It’s especially that amazing heartfelt voice that steals the show here—from pain to power, sung with timeless soul—although the rich instrumentation shouldn’t go unmentioned.



Queen Of The Creek—produced by Darcy McNulty, Loretta Miller, and Lachlan Mitchell—is out now digitally, soon also released on vinyl LP. Featuring Darcy McNulty, (horns, saxophones), Eamon McNellis (trumpet), Grant Arthur (trombone), Lachlan Mitchell (guitars), Sam Lemann (guitars), Tamara Murphy (bass), Gideon Preiss (piano, organ), and Freyja Hooper (drums), with Ray Pererra, Loretta Miller, and Harry James Angus guesting on select tracks.

Add to wantlist: Bandcamp

Dusted || The 10 Best New Cover Songs Of October 2025

Not all new music is really new, as many artists cover songs. Sometimes these are songs by their favorite artists, eg as a tribute to such a musical hero for a special reason, or they simply feel that a song deserves to be dusted and polished to reacquaint fans with great songs from the past. Other times, bands cover songs as a parody. Regardless of intent, some of those cover versions are so good or so much fun, we’d like to put a spotlight on them. Chosen from a wide range, here are—in random order—ten of our favorite covers from last month—links to the pages where you can add them to your wantlist included.

In October, we enjoyed the Duets Special LP by Chrissie Hynde & Pals, and the compilation Killed by Deaf: A Punk Rock Tribute to Motörhead by various artists, but there were also about 60 other nice cover releases from slightly lesser-known names to choose from…

You Don’t Own Me || Cover: The Dollyrots || Original: Lesley Gore
Californian punk rock trio The Dollyrots have shared successful covers more often, and continue that streak with a stirring version of Lesley Gore’s feminist single You Don’t Own Me (1963). It’s the flipside of original track Get On This Ride, out on vinyl 7″ through Wicked Cool Records. “The song is an anthem for female empowerment, about willing to be defiant in the face of something that’s just plain wrong. Sadly, it’s still just as timely as when Lesley sang it over 60 years ago,” said singer/bassist Kelly Ogden.

New album: Holly Golightly || Look Like Trouble

Headcoatees co-founder is still rolling along—wiser, and wickedly good

Seven years after her previous album, UK-born/US-based cult favorite Holly Golightly returns with Look Like Trouble—ten new songs that reaffirm why she remains one of garage rock’s most charismatic outliers. Recorded in London with longtime collaborators Ed Deegan (guitar), Bradley Burgess (guitar, organ), Matt Radford (double bass), and Bruce Brand (drums), the record captures the queen of cool’s trademark mix of biting punk blues, smoky soul, and gritty folk.

The singer-songwriter’s amazing vocals, as always, combine sardonic charm with emotional weight—one moment caustic, the next disarmingly kind—but it’s the grooving musicians behind her that make this release even more enjoyable. It’s a masterclass in timeless rock ‘n’ roll.



Look Like Trouble is out on CD and vinyl LP through Damaged Goods Records.

Add to wantlist: Bandcamp || Damaged Goods || Discogs

New album: Betty Won’t || Trouble

Bittersweet nostalgia wrapped in grit and grace

Remember Betty Won’t? Four years have flown by since the rock ‘n’ roll collective from Minneapolis, Minnesota released their debut LP, Lucky, but a few seconds into their sophomore album, Trouble, and the warm feelings of that time are instantly rekindled. It’s that vintage-infused sound at the intersection of country, blues, and soul, with a touch of garage rock and 60s girl groups, that works so well, but the twangy guitar melodies and amazing vocals are what make it really stand out.

The five musicians—Eliot Gordon, Fletcher Barnhill, Jackson Dungan, Margo Babb, and Sheela Iris—effortlessly hold our attention for thirteen songs, with Fast most original in reflecting the theme on which the record is loosely based. Smiles and chills abound.




Trouble is out now digitally and on vinyl LP through Piñata Records.

Add to wantlist: Bandcamp

New album: Danny Ayala || Only Fools Love Again

Vintage pop flair with soul, psych, and soft rock woven in

You may not know Danny Ayala by name, but if you’ve caught The Lemon Twigs live recently, you’ll recognize him as their ridiculously talented bassist and keyboardist. That same talent shines all over his solo debut Only Fools Love Again, released on Reminder Records—a perfect fit given its warm vintage sound. And while it’s impossible not to note the Lemon Twigs connection (the record features appearances from the D’Addario brothers and touring drummer Reza Martin), Ayala’s album is no mere side-project footnote.

Across more than ten tracks, Ayala drifts with ease between soul, psych, power pop, and soft rock, tying it all together with melodies as timeless as they are fresh. His falsetto slips in and out like second nature, heightening the drama and sweetness of the songs. At the end of the day, this is just a flat-out great pop record. And I Don’t Like Her? That one deserves a spot on any playlist claiming to house the year’s best songs—it’s already on mine.


Add to wantlist: Bandcamp || Reminder

New EP: Lisa Beat And The Liars || Gimme Another Try

Retro reveries stitched together by unmistakable style

Lisa Beat and The Liars are a contemporary rhythm & blues band from Ancona, Italy, but their sound time-travels straight back to British girl groups of the 1960s. Since forming in 2016, they’ve built a reputation for delivering Mersey Beat revivalism with the personality and style to make it more than museum piece nostalgia. The three tracks on their new 45 prove once again that this band thrives on reinvention while staying true to their roots.

Side A is filled by the three minutes and 24 seconds of Gimme Another Try, a hook-filled floor burner with uplifting orchestration. Side B is quite different: Sometimes brings a psychedelic vibe via fuzzy freakbeat, and Heart to Heart, Face to Face is a swirling cover of The Twins’ 1982 synth-pop hit. Lisa Beat and The Liars don’t just live the past—they twist it into something playful, cinematic, and delightful. Another one for the repeat button.

The Gimme Another Try EP is out now digitally and on 7″ vinyl through Chaputa! Records.

Add to wantlist: Bandcamp || Chaputa!

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