Overlooked album: Davey Woodward And The Winter Orphans || Love And Optimism

If you are into indie and janglepop from around the globe, I recommended subscribing to DJ nstop’s (Jen Matson) weekly radio show Cycles Per Second. I had her latest show playing in the background this morning while working from home, and this one song grabbed my attention. It was Bad Day by Davey Woodward And The Winter Orphans. It’s the latest single from their album Love and Optimism, which was released a couple of months ago. Davey Woodward is a scene veteran, having played in bands such as Brilliant Corners and The Experimental Pop Band. What a fine surprise this record is. It’s described as pop music for grownups. I am not sure about that, but it definitely is not the pop music for juvenile delinquents I usually abuse my ears with. Still, it’s a safe bet that if you like Lou Reed and Velvet Underground, you’ll appreciate this record. Love and Optimism is a testimony of Woodward’s strong songwriting skills. The band recorded the record live in the studio, giving the songs a natural feel and edge that I believe soothes them well. The result? A record that is perfect for a gray and rainy day.

Add to wantlist: Bandcamp || Discogs

New album: Still Corners || The Last Exit

As a change from all the guitar violence of the past few days on this blog, I would like to share with you the new LP from Still Corners, a release from last week that I keep coming back to. ‘It’s about the myth and folklore of the open road. In a world where everyone thinks all the corners of the map are filled in, Still Corners believe there’s something beyond what we see and feel, something eternal in the landscape of those never-ending drives.’ The Last Exit gets under your skin: 11 songs that are dreamy, cinematic, atmospheric, and hypnotic. Out now through Wrecking Light Records.

Add to wantlist: Bandcamp || Discogs || Cargo Records

New EP: Vera Bloom || Vera Bloom

“Tonight’s a good night for making bad decisions,” Vera Bloom sings on the standout track of her self-titled EP, before adding some well-timed “uh huh’s.” Both lyrically and musically, the track feels like a straight-up tribute to the glampunkrock of the Donnas. The rest of the EP sounds completely different. On her EP, Vera Bloom goes from powerballads (Breathe, Love Like Knives), to ’90’s alternative rock (Sharp Shooter), and indie rock (Blue, my 2nd favorite track on the EP). I guess this mix of styles won’t be for everyone, but I am adding Vera Bloom to my artists to watch.

Add to wantlist: Bandcamp

New album: Cereal Milk || Cereal Milk

From the moment I got into punkrock and hardcore back in the mid-nineties, I don’t think I ever fully grasped the concept of emo. To my ears, most of the music I was listening to oozed emotion. Whether it was anger, angst, hate, love, melancholy, hope(lessness) or feeling left out, I always felt that the best punk and hardcore bands have that emotional edge: they feel real, and whatever emotions they convey, they feel authentic, making them stand out from most mainstream music. As such, I struggle considering emo to be a distinct genre, but rather an almost necessary element of great punk and hardcore music. Perhaps this explains why I’ve taken an immediate liking to the self-titled record of Cereal Milk. Here is a band that literally is leaving it all out there: Cereal Milk no longer is a band and this posthumous record will be their final release. Some of its songs have been previously released, for example on the 2017 Amazing Singer Record comp by Emotional Response. Cereal Milk is an intense though melodic record, with a singer absolutely singing his heart out. It’s a dynamic record, with plenty of palm muting, cool guitar riffs, and well timed tempo and soft-loud variations. Shoutout to Californian label Phat ‘n’ Phunky for putting this out.

then, as they dropped the gates // and the bets were placed // your’s was against me // like some insider trade // you were privy to my fate // i’m the horse with the broken leg


Add to wantlist: Bandcamp

New EP: Camp Trash || Downtiming

Now this is a compelling debut EP. The American indie rock band Camp Trash has released a 7″ with four songs rooted in the 90s / 2000s that you really should listen to. Strong songs with appealing lyrics, performed by a singer with a great voice and a band that knows how to play driving rhythms. Out now through Count Your Lucky Stars. Reportedly Bryan, Keegan, Alex, and Levi are busy in the studio recording their first full-length album, which should be out later this year.

‘I play songs the songs I wrote with Keegan // peeling off the labels on medicine // pretending it’s nothing don’t worry about me // I just need someone to worry without me asking’

Add to wantlist: Bandcamp || CYLS

New single: Sekunderna || Hjärtet EP

Sekunderna have been described as the perfect mix between ABBA and Marked Men. That ABBA reference is far-fetched, even though the band is from Sweden. But clearly, Sekunderna know how to make their garage poppunk melodic and memorable. This EP stands out from the pack. Out now on a 7″ at Luftslott Records.


Add to wantlist: Bandcamp || Discogs

New album: Sweet Soul || So Far No Further

So Far No Further, the first album by Sweet Soul, provides 23 minutes of pop punk bliss. It does not sound like your typical pop punk record though. It is neither ramonescore nor overproduced poppunk of the 00’s. And although I hear ’90’s influences, Sweet Soul would have looked out of place on the top pop punk labels of that era, e.g.,  Lookout! Records, Fat Wreck and Epitaph. Sweet Soul apparently has roots in the hardcore scene, but their sound is neither agressive nor overly fast. Anyway, So Far No Further is most definitely a pop punk record. It is catchy as hell and full of hits. My current favorite is Noises Drown, a song that evokes Lemonheads and Big Drill Car.


Add to wantlist: Bandcamp || New Morality Zine

New single: Scooter James || Way Too Heavy / Felt The Sun

Scooter James formed Pinhead Circus in 1992, a punk band that made noise for ten years. After a stopover in Love Me Destroyer, his next project Tin Horn Prayer found him in the element that fit him best as he became older and wiser (for example watch the video for Crime Scene Cleanup Team). This is where he reshaped his voice and his relationship with music, the road to now be a solo artist (we saw with Frank Turner that the road from punk band to solo folk artist can lead to success). Scooter James’ first single We Bend / Dear Friends was released a year ago and now there is a follow-up, of which A-side Way Too Heavy in particular is worth your time, not in the least because of that great snarly voice. Now digitally available through Snappy Little Numbers Quality Audio Recordings.

Add to wantlist: Bandcamp (pay what you want download)

New album: Fuzzy Vox || Program & Control

Did you know the mysterious story of three young boys that enter an empty 80’s arcade room filled with flickering neons, in order to play an old arcade game called Program & Control? That’s what the third album by French power pop / garage rock band Fuzzy Vox is all about. Then you’ll understand why computer sounds have been added to the guitars and drums and how to interpret lyrics like “Suddenly I’ve found my treasure” (Charm) and “A drunk guy took my ankles somehow” (Mario Kart). Nice approach, and the music is also quite entertaining, not a bad soundtrack for a night out at the game hall.

Add to wantlist: Bandcamp

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