They perform this task with gusto: The Ar-Kaics keep 60’s style garage rock alive. After full-length albums in 2014 and 2018, a compilation with singles & unreleased work was released earlier this year. And now they are back with a new single: To Be Free b/w Easy is available through Daptone’s rock subsidiary Wick Records. It’s a great band and this is another great proof of competence. This new single could have been a hit from 1965, but maybe it will be a hit in 2021?
Add to Wantlist is all about finding that next musthave record for (y)our collection. There are of course many ways to achieve this. We all have trusted record labels, record stores, music blogs, reviewers and playlist curators. With Gimme 5! we take a peek into the collections of artists we admire. The premise is simple: artists WE like, share 5 records THEY love. Sometimes this will be all time-favorites, but the top 5 can also be more genre-, scene-, theme- or region-specific.
To kick things off, we asked our new favorite Argentinian punk band Fievre to introduce us into a scene that, in all honesty, is unknown territory to us. Fievre singer Chelo (left on photo above) was so kind to share his 5 essential Argentinian punk records. Click below to see it. Chelo added words and video’s to his favorite song off each record. We added Discogs links to enable easy adding to your wantlist – which I already did for four out of five of the releases on this list. Thanks Chelo!
We know the Australian garage rock trio Skegss of party bangers like the awesome L.S.D., but their last song is a lot more serious and laid-back. ‘Been living down the wrong side of town, I should move up to the right’, Ben Reed sings accompanied by an acoustic guitar. Beautiful. (Who would have thought that we would describe Skeggs’ music as beautiful?)
OK, let’s start with the obligatory cliché intro text. The only good thing about 2020 was that by being at home more often you could listen to even more music and for those who want to hear it, enough good music has been made. Since January I have checked out 1,100+ new albums. Sometimes after half a minute I knew it wasn’t for me, sometimes I just couldn’t get enough. No doubt I missed a few things that I should not have missed, but right now this is what it is. And it doesn’t really matter either. Music lists are by definition debatable, because they say something about taste and taste is personal. What follows does not really say anything about quality, but simply reflects what I have played and enjoyed the most. In my list guitars and distinctive voices predominate, it’s mostly rock orientated (alternative, garage, jangle, roots, post-punk, …) plus a little bit of soul, with both debuting bands and old rockers with renewed energy who could have been their grandfather. It turns out that 2020 was not that bad at all!
I scrolled through some year-end lists this week to see if I missed any good records this year. In Louder Than War’s Top 50 I came across the name Mick & The Mellotronics at no.27, unknown to me but described as a ‘classy, intelligent art-school guitar band’. At Bandcamp I was immediately enthusiastic about the cool art work: a pigeon with an Elvis wig! The music and lyrics are so captivating that it pays to spend your time on them; the LP gets 9/10 reviews for a reason. The debut album ½ Dove – ½ Pigeon is available via Landline Records.
“I titled the record ½ Dove – ½ Pigeon because I thought it was an honest reflection on how most people see themselves.” – Micko Westmoreland
Remember Third Wave Ska, the grandchild of the genre that originated in Jamaica in the ’60’s, bred on a steady diet of punkrock, trumpets and trombones? Remember Reel Big Fish? Less than Jake? Dance Hall Crashers? The Mighty Mighty Bosstones? For a short window in the second half of the nineties, ska was kind of a big deal. Major labels signed the bands, MTV played the video’s, bands sold out the shows, and kids bought the cd’s…or downloaded the tunes. And just as sudden, ska disappeared from the limelight and returned to its natural state: the underground.
Funded by a kickstart campaign, Pick It Up documents this period. It’s all there: the sound, the dance moves, the clothing, the challenging group dynamics of touring with a band of eight human beings instead of the standard three or four, and the cognitive dissonance associated with selling out – or lack thereof. It’s a fun thowback to the heydays of 90’s ska, with many of the main players featured. To be honest, not all of these bands hold up as well, but there are plenty of ska comps and bands that I still enjoy (Bosstones! Hepcat!). I have sweet memories of seeing a lot of these bands live, even though I was more into (hardcore)punk. For a little while, ska made the punk scene more fun and diverse, it made school band geeks cool (well, sort of…), and like comedian Benji Aflalo says in the film: “skankin is so mechanically easy, it gave every awkward kid a chance to move.”
Pick It Up is a documentary very much about nineties ska, though it’s respectful to its history- there is a short animated feature section on ska’s roots narrated by Rancid’s Tim Armstrong, that is an absolute treat. In the end, this is a fun and well executed documentary, and a must watch if you were part of that scene or a fan of 90’s alternative music.
True, these 5 songs have been available for 2 months now, but I’m only discovering them now (thanks Shindig! Magazine!) and this debut EP is too good not to share. The 4-peace consists of members of Bottomfeeders and Jeff the Brotherhood and they play driving guitar rock with garage-psych and glam influences that could have come straight from the 70s. The Out Of The Darkness EP is out digitally via Third Man Records and the label promises a self-titled full-length LP for 2021. Yeah!
For obvious reasons, far fewer new albums are released in December than in other months, but luckily there is still some notable new work. Most interesting this week imho is Slacker Paint, the debut LP of The Mary Veils. It turns out to be not really a new album, because the American garage rock band self-released it back in 2017. Apparently most music lovers missed that at the time, the album was not even on Discogs yet, but PNKSLM Recordings now shares it with a wider audience. The second full-length album is due for release next year, but let’s dive into this first; there is much to discover in these varied tracks.
The Sweatys released two demo’s in 2020: Warm Up and Stretch. Because why make yourself an easy google search, right? I know nothing about this band, but I hope to hear more. They play fast and raucous punk, and show quite the potential. Check out my favorite song of each demo below.
Interesting to follow how Night Beats slowly but surely changes from a psychedelic / garage rock band into a soulful R&B party. On new single That’s All You Got, the shoegaze-like raw, dark edges have disappeared, exchanged for a polished sound carried by an organ (click here for the video on YouTube, in which founding member Danny Lee Blackwell strolls through an abandoned city). On the B side, screeching guitars predominate, listen below. Both songs are a collaboration with Robert Levon Been of Black Rebel Motorcycle Club, whose biggest hit is applicable to Night Beats’ development: Whatever Happened To My Rock ‘N’ Roll? Blackwell explains: That’s All You Got is a reminder that at the end of the day, we’ll always have the SOUL.” Point taken. The 7″ is out now on Fuzz Club Records.