New album: Nära Döden || Villkorslöst

Imagine Marked Men and Alvvays joining forces

Damn, I forgot how cool Nära Döden is. Their new 10-song record Villkorslöst is an essential indie punk listen—dark, infectious, and impossible to shake. True to their name (which translates to Near Death), these songs aren’t exactly bursting with joy, but they hit hard in the best way. Drawing from ’70s post-punk and the 2000s Swedish punk and indie scene, the band somehow sounds like Marked Men and Alvvays joining forces—if that makes sense.

Nära Döden doesn’t need more than a couple of chords and two to three minutes to leave a lasting impression. Even if Swedish isn’t your first (or even fifth) language, the emotional weight of these songs is undeniable. Singer Hanna Winberg brings a rawness to her voice that sets the band apart even further.

Songs like Missar tåg and Helvete? I’ll take those for breakfast, lunch, and dinner—no hesitation. Villkorslöst is out now on LP via Septembernatt Records.

Add to wantlist: Septembernatt

New EP: Greygarden || I Don’t See It Coming

Promising debut from Kansas quartet

Greygarden is a new indie rock band from Lawrence, Kansas, featuring Chris Elliott (vocals, rhythm guitar), Ty Q. Harris (lead guitar), Cael Harris (keys), and Henry Parks (drums). They make their debut with the 7-track I Don’t See It Coming EP, that sounds more mature—solid and thoughtful—than you might expect from such young guys. They deliver rootsy duels between piano and guitars (alternately swinging, jangly or subdued), with raw and powerful vocals, guaranteed to bring a smile. The title song that opens the EP is the undisputed highlight here, but the versatile tunes that follow show that the quartet has more up its sleeve.



I Don’t See It Coming is out now digitally via You Serious? Productions.

Add to wantlist: Bandcamp

New album: The States || Gimme Joy

Melbourne's latest rock’n’roll powerhouse delivers swagger, hooks, and attitude.

The States gimme joy might sound like a sarcastic four-word statement in today’s geopolitical landscape, but in the world of music, The States live up to it—no irony necessary. The Melbourne band has a lot going for them: they hail from a city with a rich rock tradition, they’re backed by the always-reliable Legless Records, and their lineup includes Joe Imfeld (The Prize, Mr Teenage) and Scarlett Maloney (Tuffy, Delivery). Then there’s the knockout label description: “The States fuse ’60s rock’n’roll and glam rock, laced with hints of doo-wop and country, to breathe an electrifying new sound into Melbourne music with bolts of T. Rex and Suzi Quatro.”

The 7-song mini-album lives up to that promise. The States play with swagger, packing their songs with old-school guitar riffs, thick bass lines, pounding beats, and kickass, powerhouse vocal performances from guitarist Scarlett Maloney and drummer Georgie Harkin. The album kicks off strong with the playful and infectious Johnny, while throwback rock hits like Queen of Mean and View from the Top carry a timeless pull. Meanwhile, Take Me Out and Carol bring an ’80s power pop edge, echoing The Shivvers and Joan Jett.

The States sound like a band built for the big stage, but their raw energy feels even more potent in a packed club on a Friday night. Either way, good times guaranteed. But don’t just take my word for it—hit play and let the music speak for itself.



Add to wantlist: Bandcamp

New album: Lone Striker || Lone Striker

Tom Brown strikes again, this time in unanticipated ways

That Tom Brown fella sure knows how to keep things interesting, huh? Between Rural France and Teenage Tom Petties, he’s already got his hands full with two underground darlings. And now, here comes another project—Lone Striker—straight from his bedroom. They say that’s where the magic happens, though in Tom Brown’s case, I suspect it involves more cables and coffee than candles and cuddles.

But let’s stay on topic. Lone Striker is more than just another home-recorded project; it’s a major departure from Brown’s usual sound, even when several of the songs are easily reimagined as TTP songs. Brown spent five years shaping this record, driven by his love for warped Americana acts like Silver Jews and Sparklehorse. Not only did he take his time, but he also threw in all sorts of oddball instruments, loops, and samples, resulting in an album that’s both intimate and unpredictable.

Lone Striker is the kind of record that sneaks up on you, the perfect soundtrack for a productive workday or a long drive to nowhere in particular. It drifts in and out of focus, sometimes hazy and dreamlike, other times hitting with laser precision. The laid-back drum loops pulse like a heartbeat, guiding your breathing without you even noticing. And then there are the surprises—because this album is full of them.

The late-summer melancholy of Dunno will have your BBQ guests asking for the artist and song. Funny Way of Showing It sounds like a lost ’60s pop hit, stripped-down and lo-fi but irresistibly catchy. Cursed Like Roy cranks up the Phil Spector vibes, while Never Blown a Kiss starts so unexpectedly I had to check whether I was still listening to the same album. And that chorus hook? Absolutely massive.

As a fan of Rural France and Teenage Tom Petties, I figured I’d enjoy this. But even so, Lone Striker caught me off guard in the best way possible. Out now on Safe Suburban Home, Repeating Cloud, and Hidden Bay Records.


Add to wantlist: Bandcamp (SSH & RC) || Hidden Bay

New album: Flathead || Flathead

Fans of Shoes and The Speedways—Flathead are your next obsession

If Marseille five-piece Flathead (featuring members of Pogy & les Kefars, La Flingue, Aggravation, Tomy & the Cougars, La Flemme, and Parade) impressed you with their debut EP in 2022, just wait until you hear their first full-length. The album, simply titled Flathead dropped last week and is available through Wanda Records (Germany), Dangerhouse Skylab Records (France), and Take The City Records (Spain).

Across nine tracks, Flathead channel the spirit of Shoes, 20/20, The Records, and Milk ‘N’ Cookies—power pop the way it was meant to be played in the ’70s.They fit comfortably alongside contemporaries The Whiffs, The Reflectors, and The Speedways, bands that faithfully reanimate power pop while still sounding distinctly their own.

Flathead have a sharp pop sensibility, but they deliver it with punk urgency and a lean, no-frills approach. Expect effective guitar riffs, a loose-but-driving rhythm section, and sweet, warm harmonies. Flathead is a stellar power pop record front-to-back—no doubt about it.


Add to wantlist: Bandcamp || Discogs

New album: Mike Clark & the Sugar Sounds || Hot Coffee

A sweet brew from Pueblo, Colorado

Mike Clark & ​​the Sugar Sounds made quite a splash in 2013 with their debut full-length Round And Round, which was followed up in 2022 by the year-end list-worthy Moon Rock LP. Luckily we didn’t have to wait that long for new work, because after last year’s Live at the Trinidad Lounge they now serve Hot Coffee, their third studio album. We get ten tracks that are more suited to a late night out than for a morning breakfast, but they are certainly invigorating. This is bluesy soul with rock influences, in which sweet but powerful vocals enrich the confident rhythm section. In carefully constructed songs like Diggin’ On You and Electricity, everything is right.



Hot Coffee, recorded and mixed by Cole Halvorsen, is out now digitally (self-released). Featuring Mike Clark (guitar, synth, vocals), Rachael McElhiney (sax, vocals), Robin Chestnut (percussion), and Alex Koshak (drums on select tracks).

Add to wantlist: Bandcamp

New EP: The Rowchess || Pricked But Not Totally Dead

Alive and kicking garage punk from Spain with a ripping saxophone

The Rowchess are a wild rock outfit from Barcelona, ​​Spain, featuring Mateu Marcet (vocals), Lluís Torralbo (guitars), Edu Pons (tenor sax), Dani Llavador (bass) and David Morilla (drums). On their debut EP Pricked But Not Totally Dead, they stomp through six raucous garage punk tunes with heavy riffs, thundering beats and forceful vocals. As if all that wasn’t loud enough, a mean saxophone rips through. Ragged and straight forward, no-bullshit bangers.


Pricked But Not Totally Dead, recorded and mixed by Marc Bòria, is out now digitally (self-released).

Add to wantlist: Bandcamp

New EP: Monster Wave || Curse of Monster Wave

Storytelling without words

Asheville, North Carolina-based surf rockers Monster Wave—Casey Willis (lead guitar, bass), Joel Shuman (rhythm guitar), Ryan Grisso (keyboard, bass), and Lee Rubenstein (drums)—take the high standard of their 2023 Pazuzu Luau LP even higher with this new EP. The three instrumentals that make up Curse of Monster Wave excel in original melodies that are refreshing and energetic. However, what really sets these musicians apart, is that they tell gripping stories full of plot twists without using words. As elusive as The Thing From Voodoo Island is, it comes fully to life here.

Curse of Monster Wave, mixed and mastered by Ryan Grisso, is out now digitally (self-released). It’s the first of four EPs that will be released this year.

Add to wantlist: Bandcamp

New album: Amusement || First 3 EPs

Portland punk rock with heart and volume

Amusement dropped their third EP last week, and it’s a triple win. I have yet to hear a song by this Portland quartet that I don’t like. Their latest Holding On EP—now available for a pre-order as a 7″ on Dirt Cult Records—is every bit as strong as their dual debut singles from late 2023.

If you like your melodies raw and noisy, Amusement should be at the top of your listening pile. They’re loud, they hit hard, and their noise is oh-so-melodic—playing the kind of punk rock that could only come from musicians with a healthy dose of hardcore and alt-rock in their record collections and a great deal of chemistry. Think Jawbreaker meets Dag Nasty meets Farside meets Superchunk meets Dinosaur Jr. Powerful stuff with loads of heart.

Right now, Amusement have built a 7-song discography that lands somewhere between fantastic and awesome. And you can now own all three EPs on a 7″—or grab the full collection on one convenient LP, courtesy of Shield Recordings and Brassneck Records (pre-order available, expected to ship late April or early May). As a bonus, they’ve thrown in a Dinosaur Jr. cover (Budge) that was recorded specifically for this purpose.



Add to wantlist: Bandcamp || Shield || Brassneck

New EP: The Medium || Sports!

Feel The Dream FTW

Nashville indie rock quartet The Medium released their third album last year, entitled City Life (about city life as a call for a better world), which they now follow up with the Sports! EP (about playing team sports, a musical exploration of American boyhood). Opening track Feel The Dream has everything to become a huge hit, from killer hooks and an earworm melody to distinctive vocals and an exciting match report. The other three songs here are also worthy, with lyrics that encourage to think about what this universal theme actually means for people, but this release scores even higher musically—proggy power pop in which a lot happens, like in a good game.



Sports! is out now digitally via Earth Libraries. Featuring Shane Perry (vocals, electric guitar, acoustic guitar, piano, synthesizer), Sam Silva (vocals, bass, electric guitar, didgeridoo) and Jared Hicks (drums), with Tommy Creighton (trumpet) and Peter Brooks (drums) on select tracks.

Add to wantlist: Bandcamp

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