Psych

New single: David Turel || Satanic Panic

A cinematic trip through two different sides of the desert

Detroit musician David Turel is back with two psychedelic western-tinged garage rock songs that are completely different but still hit the mark. Title track Satanic Panic is a vibrant summer hit of almost five minutes full of ravishing hooks, affecting vocals and an earworm chorus. Flipside Ennio is a hypnotic and dreamlike tribute to the legendary film composer Ennio Morricone, as atmospheric and cinematic as you would expect given the theme. Hot stuff.

Satanic Panic b/w Ennio, created with help from Wyatt Blair, Grady Kinnoin and Kourtney Kyung Smith, is out now digitally via Lolipop Records. Streaming only for now.

New EP: Girafe || Matin​é​e for Mad Creatures

Stockholm 4-piece mixes cumbia and surf on sunny debut

Don’t be put off by the dark and messy cover art – the four songs on Matin​é​e for Mad Creatures sound actually quite smooth and sunny. It is the debut EP from Swedish indie pop outfit Girafe, on which Julia Sjöström, Nathalie Appadu, Mattias Robertsson and Robert Wadeskog charmingly mix tropical cumbia, vibrant surf rock and psychedelic dub. They kick off with the infectious, instrumental title track, continue with attractively sung Lavoe Shades and Mountain Merengue, and close with another instrumental tune, Left the City Burning. These are thirteen exotic and idiosyncratic minutes, a laid back and sun-kissed introduction to a promising band.


Matin​é​e for Mad Creatures is out now digitally (self-released).

Add to wantlist: Bandcamp

New album: Weeping Mist || This Train Goes To Sorrow

Sophomore LP continues from where Lonely Streets left off - literally

Another dose of moody garage psych comes from Athens, Greece, where Weeping Mist recorded their sophomore album This Train Goes To Sorrow. With this solo project, Yesterday’s Thoughts’ guitarist Spiros Megedisidis delivers sixteen(!) new original songs that are full of emotions. A look at the song titles makes it clear that this concerns dark matter, the accompanying lyrics put an exclamation mark behind that finding, with loneliness as a recurring theme. Yet it’s a wonderful listening experience, thanks to the hypnotic melodies and 60s-inspired sound full of fuzz, with amazing, distinctive vocals – gritty and heartfelt – in the center of attention. Goosebumps, but I’m not sure if that comes from admiration or fearfulness.



This Train Goes To Sorrow is out now digitally and on vinyl LP through Tymemachine Productions ’67. Featuring Spiros Megedisidis (vocals, guitars, farfisa, bass) and Giorgos Vagiatlakis (drums). The new album literally continues from where debut album Lonely Streets had stopped. I quote: “You see, at the very end of that Lonely Street, there was an old train station. Just one platform in use, a few old wooden wagons, and a black rusty locomotive engine. The engine steam gets tangled up with the darkness and the blurry wet fog, creating a mysterious mist, a mist that weeps, a Weeping Mist… 16 stops… until the train reaches its destination, deep inside The Forest of Black, deep inside your soul.”

Add to wantlist: Bandcamp

New album: Samuel Blues || Lemon Please

Samuel Blues is the psychedelic garage blues project of Slovenian musician Samo Pivač, who continues his streak of at least one album a year. Lemon Please is his thirteenth home-recorded full-length, this time a “soundtrack for a citric western movie that does not exist yet.” There are only four songs, but they last no less than 33 minutes. And although these are instrumentals, they remain fascinating throughout, and that is a significant achievement in itself. It’s swampy and atmospheric, with original and compelling guitar melodies in the leading role. Who needs a film when you have music that makes you dream away to Heavenly Lemonly territory?


Lemon Please is out now digitally (self-released).

Add to wantlist: Bandcamp

New single: Horrible and the Saucers || Farewell Quackery!

Last month, Michael Horrible’s band, Horrible and the Saucers, made their debut at the Wantlist with their second single. I described their sound as “Buzzcocks and Zombies for the price of one,” and I stand by that description for their latest release Farewell Quackery! which dropped this week. The single features two new tracks that are an exciting outsider blend of ’60s psych and ’70s pop punk.

To state the obvious, I’m definitely on board with Horrible and the Saucers, who are conquering the planet one single at a time!


Add to wantlist: Bandcamp

New album: Kelley Stoltz || La Fleur

San Francisco-based singer-songwriter Kelley Stoltz, a living legend and musical hero in our world, returns with yet another full-length album, La Fleur. On LP no. 18, we hear 12 new psychedelic indie pop songs with melodies and hooks in the first-class quality we’ve come to expect, with all instruments played by the master himself (and of course it’s also his hazy voice that you hear singing), assisted here and there by Jason Falkner and Fred Barnes. Lyrically, the songsmith stayed close to his own experiences, from riding around Manchester in the car of Stone Roses drummer Alan ”Reni” Wren (“A black BMW // Hope to impress you” – in Reni’s Car) to advising his daughter to live in the moment (“You’re too young to know // About time // Doesn’t do any good / Pay it no mind” – in About Time). What makes this record extraordinary, however, is that each track is peppered with its own unique decoration, from subtle orchestration or unexpected instrumentation to almost doo-wop-like harmonies or spacey sound effects. It makes for an exciting trip that captivates for the entire 44 minutes and 19 seconds.




La Fleur is out now digitally, on CD and vinyl LP, through Agitated Records (Europe/UK) and Dandy Boy Records (USA).

Add to wantlist: Agitated @ Bandcamp || Dandy Boy @ Bandcamp

New album: Shop Regulars || Shop Regulars

Among the many releases this week, one that stood out to me is Shop Regulars’ first LP. This self-titled album arrives after seven self-released cassettes, and while it only has six songs, its total playing time justifies an LP release. The album is masterminded by Matt Radosevich (formerly of Honey Bucket), who leads the band and collaborates with a rotating cast of like-minded artists to bring his ideas to life.

There is a lot of repetition on this album, and while that might not be for everyone, there is something special about Shop Regulars. They are noisy and highly experimental, with creativity flowing freely—not unlike one extended jam session, but one that even people who hate jam sessions can appreciate. Case in point: they put an 11-minute song on the record, and I managed to reach the end without triggering my short attention span anxiety.

If you’re looking for something different and unique, Shop Regulars may very well be your next craze.


Add to wantlist: Bandcamp

New album: Workers Comp || Workers Comp

Here’s an album that may not be brand new by strict definition, but it definitely deserves a prime spot on your wantlist. Baltimore’s Workers Comp has dropped their self-titled debut LP, essentially a compilation of the trilogy of EPs they released over the past two years. We’ve already raved about the Crazy With Sweat EP, and now you get to dive into the other two gems: One Horse Pony and When In Room (both from 2022). These songs were released on Tape and now, for the very first time all of the outfit’s songs are available on one convenient piece of black vinyl. As a bonus there is a closing track that is brand new.

If you are unfamiliar with these songs, I envy you, because Workers Comp are one of the realest bands out there right now. They are the perfect antidote to all that is artificial about today’s music. Blending elements of Velvet Undergroundesque protopunk with outsider country, Workers Comp are an unique band with a raw and lo-fi edge. Their songs are anthems of solidarity and rebellion that hit you right where it matters. If you have time for just one song, make it Pressure Today. The first time I heard it, I became a fan of this band. Now, with help from ever/never records even non-cassette player owners can now enjoy these tracks the way there were meant to.

“Pressure today from the man in charge // gonna have to pull the conveyor apart // I take a hex wrench off of the workbench // waiting on a lesson to be blessing my heart.”


Workers Comp are Joshua Gillis (Deadbeat Beat, Glad Fact) Ryan McKeever (Staffers) and Luke Reddick (Divorce Horse)

New single: Trabants || Mantra

Portland, Oregon-based surf-garage-psych project Trabants pull out a new 45 with two cinematic guitar instrumentals. Eric Penna (guitars, percussion), Dave Berkham (bass) and Anthony Brisson (drums) deliver it as a record in two parts, Mantra on side A and Surfers On Acid on side B, mind and body represented by each. Trippy and hypnotic, full of fuzz and sun, groovy with Eastern influences, retro-cool in every way.


Mantra b/w Surfers On Acid, written, recorded and mixed by Eric Penna, is out now digitally and on 7″ vinyl through Hypnotic Bridge Records. The two songs are harbingers for Trabants’ next LP.

Add to wantlist: Bandcamp || Hypnotic Bridge

New album: Tambourine Jesus || Tambourine Jesus

Tambourine Jesus are an Australian experimental rock trio featuring James Gilligan (bass, vocals), Liam Gough (drums, vocals) and Neil Wilkinson (guitar, vocals). Their eclectic self-titled debut album contains eight original tracks that confidently claim their own place in the neo-psychedelic prog rock universe. As if the funky and bluesy playfulness of White Denim goes together with the orchestral and post-apocalyptic futurism of Radiohead – exciting, alienating and atmospheric. Song titles range from Tropical Dream to Ticket To The End Of The World, the cover photo and video below take place in fur suits in a glass cube in a rugged landscape at dusk, which says a lot about the musicians’ intentions. With success, because you’ll watch and listen breathlessly.



The self-titled Tambourine Jesus album is out now digitally, and on cassette, CD and vinyl LP. Performed, produced & recorded by Tambourine Jesus, and mixed & mastered by Joe Talia. The intriguing cover art is by Sean McDonald.

Add to want list: Bandcamp || Discogs

Scroll to Top