Psych

New album: Andrew Gabbard || Homemade

You may know Andrew Gabbard from his – versatile – work with Thee Shams, The Buffalo Killers, The Gabbard Brothers (with his brother Zach), or as The Black Keys’ touring guitarist, but now he has his debut LP as Andrew Gabbard (as Andy Gabbard he released Fluff in 2015), recorded at home. When you listen to Homemade, you would almost think that the American musician has been able to watch an advanced stream of Peter Jackson’s Get Back documentary, because I regularly think about the Lennon/McCartney collaboration, though we might as well cite Emitt Rhodes and Neil Young as references here. You’ll understand, this is classic, hazy pop infused with alt-country and psych vibes with beautiful harmonies, like sophisticated songwriters created in the late 60s and early 70s. That’s not a compliment to be taken lightly, especially since Gabbard not only wrote most of the songs (closing track Promises I’ve Made is an Emitt Rhodes cover), but also took care of the vocals, guitars, drums, bass, and piano. Listen to two of the standout tracks below.

Homemade is out now digitally, on CD and vinyl LP through Colemine / Karma Chief Records.

Add to wantlist: Bandcamp || Discogs

New album: Toby Vest || False Regime

You may know Memphis songwriter/producer/engineer Toby Vest of psychedelic garage rock band Tiger High, who recorded some fine records in the first half of the 2010’s. But since then he has also released four albums under the Shadow Brother moniker and other collaborative projects such as Detective and The Bulletproof Vests, as well as producing music by numerous other artists/bands. It had to happen, today he released False Regime, the first LP under his own name. It’s a debut that sounds completely different from the Tiger High stuff: no lo-fi guitar violence, but eleven perfect pop songs, rich, soulful and orchestral. I asked Toby about that:

“This album was very influenced by the mid 60’s California Wrecking Crew era of production. Albums like Pet Sounds and Forever Changes are constantly referenced when people talk about this period, so it’s not like I’m re- inventing the wheel or anything, haha! The work of the Wrecking Crew on songs/albums by the Association, the Monkees, the Grass Roots, etc., and the production work of Curt Boettcher on albums by the Millennium, Sagittarius, and the Left Banke were major influences along with Scott Walker’s Scott 4. Outside of the production influences I think the way those producers and the Wrecking Crew approached song arrangements was another thing I wanted to bring to my songwriting on this album. In order to do that I had to call on my own wrecking crew* of musicians here in Memphis and they are really responsible for bringing the arrangements to life.”

Here speaks a real musician. Even if he taps from another barrel, the brew is very tasty. You could call the new work of the skilled multi-instrumentalist baroque pop; it breathes the late 60’s, with a psych edge. Anyway, this is very pleasant music, melodic, colorful, melancholic and mind-blowing. Stream the full album below.

“All your stars stay broken // Prisoners of your unrequited dreams // All your faith is stolen // Seen it a 1000 times // Lived a 1000 lives // What’s one more false regime” (from: Pennies In The Well)

*Toby Vest wrote, produced, and sang all the songs, and played acoustic guitar, piano, mellotron, vibraphone, and percussion. Horn arrangements were done by Marc Franklin and Art Edmaiston (Gregg Allman, Dolemite score), string arrangements by Krista Wroten and Jana Misener (Memphis Dawls), who also added background vocals to a couple songs. Most of the piano and organ parts were played by Rick Steff (Lucero). Electric Guitars by Jeff Schmidtke, Steve Selvidge (The Hold Steady) and John Whittemore (Neighborhood Texture Jam, Reigning Sound), bass by brother Jake Vest. Drums and Percussion by Shawn Zorn (Amy Lavere, Twin Forks) and Rory Sullivan. Background vocals by Luke White (Snowglobe, Spiral Stairs) and Chris Milam.

False Regime is out now through American Grapefruit. Add to wantlist: Bandcamp

New album: Nick Frater || Earworms

Can you judge a record by its cover? It’s one of my go-to strategies while browsing the internet for new releases. Sure, it’s no waterproof system, but there is just so much music out there and often the artwork (and bandname) is a good indication of the style and quality of music.

In the case of the new Nick Frater record, the not so modestly and yet appropriately titled Earworms, I was already positively biased towards the record because I liked the artwork so much. An additional factor in my positivity bias was that Big Stir Records, who have a knack of finding gems in the hit or miss world of powerpop and guitar pop, would release the record. That album art (by Adam Mallett) is a subtle play on the Beatles’ Revolver and the album title Earworms. The cover features a collage of images from Frater’s life and music.

Sonically, Frater’s music also feels like a collage of styles and influences. Album opener It’s All Rumours is probably my favorite track. It’s classic ’70s radio friendly powerpop. As a whole, the album may be a bit too polished and easy going for me personally, but I appreciate what Frater is going for: “I wanted to make an album that sounds and feels like a lost treasure from the mid ’70s melodic rock scene,” says Frater. “I’ll leave it to your ears to decide, but I think we got pretty close!”

In response, I’d say Frater nailed it with songs like It’s All Rumours and What’s With Your Heavy Heart. If you have a taste for ’60s and ’70s guitar pop, give this one a spin.


Add to wantlist: Bandcamp

David Menke & Lionel Limiñana || The Devil Inside Me

Movies are often a nice way to get in touch with other music, but in this case it was the other way around: as a longtime fan of The Limiñanas I found a new project by the male half of the garage rock duo in Spotify’s Release Radar. French composer / multi-instrumentalist / singer Lionel Limiñana, together with German composer / producer / multi-instrumentalist / sound engineer David Menke, recorded The Devil Inside Me, which turns out to be the soundtrack of the Netflix series Monsters inside – The 24 Faces of Billy Milligan. In between blogging I just started watching the documentary: the true crime story is intriguing, the images and design are cool and hypnotic. The 16 songs – partly instrumental – on this fascinating soundtrack have the same effect, thanks to their driving rhythms that get stuck in the back of your mind. Moody melodies, dark grooves, fuzzy guitars, and fitting vocals pick up where the soundscapes from the series left off. Theme song Them, which opens the (digital) album, is the standout track (another hit to be mentioned is Illusion Song), but the rest is more than good enough to deserve a vinyl release. For garage psych fans, this could be the soundtrack of the year.

The Devil Inside Me (OST) is published via Because Music, and can be heard on all streaming services.

UPDATE: On June 3, 2022, Because Music will release a vinyl 2LP, containing not only The Devil Inside Me OST, but also the music that The Liminanas and David Menke wrote for the Arte documentary The Ballad Of Linda L about the life of Linda Lovelace.

New EP: Las Infrarrojas || Las Infrarrojas & Indy Tumbita

Whenever Spanish labels Hurrah! Música and Family Spree Recordings have new music out, they have my full attention. Their latest release is a joint one and might be my favorite release of theirs this year: Las Infrarrojas & Indy Tumbita. It is the latest single of Las Infrarrojas, an awesome foursome from Spain, and I can’t believe how I missed their first two 7″s.*

The sunshine pop of Las Infrarrojas is informed by many influences, from ’60s girl group and rock’n’roll to surf and psych. Here is a band that knows how to write timeless melodies. Their songs ooze major summer vibes, quickly washing any autumn dread away.

I’m not going to put a spotlight on any individual tracks, because this is a quadruple A-side single that I need to have in my collection ASAP.



* Fun Fact: all three Las Infrarrojas singles have an A-side with songs sung in English, and a B-side sung in Spanish.

Add to Wantlist: Bandcamp || Family Spree Recordings

New album: Secret Towns || Nightlights

Nightlights, the debut album from American indie rock four-piece Secret Towns, was released at the end of September. That we’re only writing about it now is because these are those songs that take a little more time to love. The seed was planted a few weeks ago, and thanks to the occasional attention, the 10 track collection has grown into a wantlist-worthy LP. Luke Thornton (vocals, guitar), Sam Pena (bass), Harry Dulaney (drums), and Matt Petino (lead guitar) play dreamy, jangling guitar pop with psychedelic and ambient post-punk elements, with lyrics about escaping moments from the past and present. In everything the music is aimed at listening at night, the hours that offer the excitement of the potential time ahead to the morning after. As the album begins: “It’s so still tonight // But I feel the rush so far ahead of me.” To end 40 minutes later with the last lines of the title track: “We won’t be the same // Leaving out of the scene // But before you leave // Leave a nightlight on for me.” According to the band, the album represents the idea of affection remaining with the people and places passing through time. Likely that you will be hypnotized if you look at moving city lights at the same moment.

Nightlights is out now digitally. Add to wantlist: Bandcamp

New album: Mythical Motors || A Rare Look Ahead

When Robert Pollard looks in his rearview mirror it’s likely he will see Mythical Motors. Mythical Motors is a four-piece from Chattanooga, Tennessee and their latest release A Rare Look Ahead is the band’s 15th (!) album. The prolific songwriting and album releasing is not the only link between Mythical Motors and Guided By Voices. A chance encounter between Matt Addison and Brad Smith at the very first Robert Pollard solo show in 2006 led to the start of Mythical Motors. Mike Brown joined on bass soon after, and it took some line up changes before the band settled on Johnny Wingo as 2nd guitarist. Sonically, the gbv-fi is strong as well. A Rare Look Ahead has twenty (!) songs, and the indie rock of Mythical Motors is straightforward, up tempo and lo-fi.

And yet, in spite of all these similarities, it would be selling the band short to project them as mere copycats of GBV. In fact, the songs on A Rare Look Ahead harbor many influences, including The Clean, Wire, R.E.M, Superchunk, and the C-86 scene. The songs are short, and filled with hooks and poppy melodies. That pop sensibility has a strong ’80s vibe. Underground pop that is. Overall, the songs display more vulnerability than the typical GBV record.

If you are like me, by the end of the record you will be siked to take another trip alongside Mythical Motors. And yeah, I know, way too much motor vehicle references in this post. Sorry…But really, give this one a spin.



Add to wantlist: Bandcamp

New album: Wine Lips || Mushroom Death Sex Bummer Party

Wine Lips are a garage rock band from Toronto featuring Cam Hilborn (Guitar and Vocals), Aurora Evans (Drums), Jordan Sosensky (Guitar) and Charlie Weare (Bass). Their latest release features some of the coolest artwork i’ve seen lately, but their music is pretty sick as well. Wine Lips play a modern form of garage, psych and indie punk that sounds fresh yet familiar. Fans of Fidlar, Audacity, Thee Oh Sees and Ty Segall should definitely take note of this record.

Most songs on Mushroom Death Sex Bummer Party are hyperactive, and soaked in buzzsaw guitars and shrieky vocals. But there are also welcome variations on that sound, such as Mall Walker, a song that is slower paced and has a lot of swagger. One of the most interesting songs on the record is the 7-minute trip Suffer The Joy. It’s like a jam session, but one that doesn’t lose focus, builds up tension and provides cathartic release.

When a band manages to capture the level of energy on tape as Wine Lips, I can only imagine how exciting these songs will be in a live setting. Mushroom Death Sex Bummer Party is out now on Stomp Records.



Add to wantlist: Bandcamp || Stomp Records

New album: The Exbats || Now Where Were We

Last month, I read how music writers were already compiling their Album Of The Year lists. It was only September…crazy right? I guess that’s how it works if you are a serious music writer. The advantage of having your own outlet is that you don’t have to worry about deadlines and you can postpone working on year-end lists just a little longer. But my general inclination towards procrastination is not the main reason for waiting out on the AOTY list. It’s simply because there will always be late contenders entering the competition.

Now Where Were We by The Exbats is a primary example. The Exbats are daughter-father duo Inez & Kenny McLain on drums/vocals and guitar/vocals, and Bobby Carlson Jr. on bass. Now Where Were is the The Exbats third album. It is built on the same effective template as their previous albums: Scrappy and honest ’60s pop rounded out by influences from ’70s powerpop and punk, garage and bubblegum pop and blue-eyed soul. Kinda like The Mamas & The Papas x The Shangri-Las x The Archies x The Ramones. Though subtle, the music of The Exbats has steadily been evolving, and I don’t think the band has ever sounded better. The songs on Now Where Were We have more depth, diversity and better harmonies than on their previous outings; The result of a more deliberate and more extensive period of songwriting. What hasn’t changed: The Exbats still sound insanely catchy, with memorable choruses you will sing along to in no time.

I have seldom exclaimed listening to my new favorite song by a band on their third album. I think it happened at least 3 or 4 times with Now Where Were We: Coolsville USA, Practice On Me, Best Kiss, and Hey New Zealand are all instant classics. Let me tell you, when one of the funnest bands of this era release their best work yet, you’d better create  some room to update your AOTY lists.



Add to wantlist: Bandcamp || Discogs

New EP: Wah Wah Wah || Oh, Wow!

Here are my notes on Oh Wow!, the debut release of Wah Wah Wah from Seoul in chronological order. One: there are a lot of cartoonesque exclamations in the bandname and album title. Two: This has a psychedelic King Gizzard vibe to it. Three: This is not bad at all. Four: Is that a flute? This is insane, but it’s pretty cool. Five: Is that a harmonica? What is going on here? Rock’n’roll! Six: This may not be the kind of music I usually go for, but I am intrigued. Seven: Wah Wah Wah deserves to be heard, I’m going to write about it.

Wah Wah Wah is an one man project by Suhyun Kim. Everything your hear on this EP, and that includes vocals, electric and acoustic guitars, bass, flute, synth and drum programming, is done by Kim. Except the harmonica, which Gunny Jojo Lee provides. Oh, Wow! is out now on the tiny South Korean label Good Boy Records.



Add to wantlist: Bandcamp

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