Psych

New album: Wild Wild Wets || Love Always

Californian psych rockers Wild Wild Wets, fronted by Mike Turi and Taejon Romanik, are back with their third full-length album, Love Always. Here are nine original garage psych tracks, with heavy drums, mesmerizing guitars and echoing vocals, tightly produced by JeanCarlo Mendez. Dark, danceable and hypnotic music, sometimes poppy but more often dangerous.

Love Always is out now digitally and on vinyl LP via the band’s own record label Yeah Yeah Blah Blah.

Add to wantlist: Bandcamp

New album: Marie Mathématique || Nos Jours Étranges

In the period when The Limiñanas couldn’t satisfy my hunger for good French garage psych on their own, I found a welcome and extensive dessert in Marie Mathématique’s debut album Tous Vos Lendemains Dès Aujourd’hui (2016), one that I still consume regularly (watch the Sous Mon Second Soleil video for an energy boost). The follow-up Nos Jours Étranges (translated: Our Strange Days), just released, is once again both idiosyncratic and very tasty.

Marie Mathématique is the duo Emmanuelle Kawalek-Mazel and Nicolas Mazel, who took their band name from Jean-Claude Forest‘s fictional animation character, broadcasted in the 60’s with vocal contributions from Serge Gainsbourg and France Gall – pretty cool. Their 12 new lo-fi, psychedelic pop songs are varied, sad and joyful at the same time, captivating but also a bit alienating (in short: very suitable for strange times), with vocals that complement each other like those of Nancy Sinatra and Lee Hazlewood. You’ll hear a tribute to Mark “Luke Skywalker” Hamill, but just as easily lyrics are about Kafka or Incas. And even if these names sound too heavy, the titillating music is light-hearted enough to please you. Enjoy!

Nos Jours Étranges is out digitally and on CD through Lunadélia Records.

Add to wantlist: Bandcamp

New album: Roku Rousu & The I.O.N.S. || The Imaginary One-Night Stands

Roku Rousu (vocals, guitar) has been around in the Finnish indie scene for a while, but with his new band The I.O.N.S. – Joo Karjalainen (drums, keys), Mikko Siven (bass) and Sussu Ketola (keys) – imaginary ambitions could just become reality. The quartet has mastered an interesting combination of styles: influences from early 60’s pop, late 60’s psych and 90’s alternative rock are cleverly mixed with contemporary folk, power pop and indietronica. On their full-length debut album The Imaginary One-Night Stands (in case you were still wondering what I.O.N.S. means, here’s your answer), you’ll hear eight genre-transcending tracks – diverse and mind-boggling, always melodic, upbeat and surprising. Let’s hope The I.O.N.S.’ passion for music beats the temptations of Video Games & Heroin.

The Imaginary One-Night Stands is out now digitally via Kynsinauhat.

Add to wantlist: Bandcamp

New album: GROOP || GROOP

Imagine that we are ten years further in time. You get into your flying vehicle, take off, crank up the music system, and you hear the instrumental self-titled debut album of American psych rock jam band GROOP. Opening track Highway Jam, 16 minutes of tempo changes and impulses, literally and figuratively lifts you to higher spheres. And that’s just the beginning, as after this promising first miles you’ll encounter illustrious figures such as Fogman, Leather Father and Camelot along the way, and hop off for a Toffee Walk.

Louis Cohen (guitar), Gabriel Salomón (sax & synths), James Novick (modular & synths), Bert Hoover (bass) and Shaughnessy Starr (drums) – perhaps known from Hooveriii or Frankie & The Witch Fingers – make it an exciting trip that stimulates the senses. Is it kraut rock? Prog? Jazz maybe? It doesn’t really matter, this is immersive music, in which an intelligent combination of instruments lets so much happen that the lack of vocals isn’t missed.

GROOP is out now digitally and on vinyl double LP through Greenway Records and Mock Records.

Add to wantlist: Bandcamp

New album: Gus Englehorn || Dungeon Master

The album title and cover photo should have been a warning, but I listened to Gus Englehorn’s new LP Dungeon Master without prejudice. It turned out to be the strangest and most disturbing release of recent times, but in a good, mesmerizing way that won’t let you go. As the label states: “An outsider opus that sparkles with Dada spirit — a playful juxtaposition of isolation, alienation and mildish OCD. Surprising, paranoid, and studded with synths and strings, deeper than a cellar and blunter than a club.” The Alaskan singer-songwriter/guitarist, based in Montréal, Québec, plays avant-garde garage pop, surreal and dark but also captivating and intriguing. I assume recording these 10 songs was an adequate way for Englehorn to deal with his ups and downs, great that he’s sharing that musical process with us. If you don’t want to dream restlessly, you shouldn’t play this just before going to sleep.

Dungeon Master is out now digitally, on cassette, CD and vinyl LP trough Secret City Records.

Add to wantlist: Bandcamp || Discogs || Secret City

New album: Mercvrial || Brief Algorithms

The first word that comes to mind while listening to Brief Algorithms, the debut LP of Mercvrial? The word you’ll read in any review of the band’s sound? Eighties. There really is no way around it. It’s the most eighties sounding record we shared on this site.

Mercvrial is based in Rosarito (Mexico). The biggest strenght of Mercvrial is that they sound authentically ’80s but are are impossible to pigeonhole in a specific genre. Every song taps into a different style, which transcends the post punk or new wave label. The only common denominator is that it is drenched in eighties nostalgia – the collaboration of guitarist Terry Bickers (House Of Love/Levitation) on half of the songs strengtens this vibe.

To be sure, Brief Algorithms won’t be for everyone. In fact, I’m still not sure what to make of it, let alone have the words to describe it. I do know it’s something else, decidedly out of time and unworried about what is hip or happening. It has songs like I’ll Get You Home On Time and Waiting On A Miracle (a reimagining of Ride’s Jump Jet/Dub Jet) that are too far out of my comfortzone to fully appreciate. But then there are songs like Dark Stars, Be That Someone and I Never Liked You Anyway that slowly get under my skin and make me want to return to the record and discover other Easter eggs Mercvrial have hidden on the record.

Brief Algorithms is out now through Crafting Room Recordings (UK), and available through Meritorio Records (Europe) and Jigsaw (US).



Add to wantlist: Bandcamp

New album: Baywitch || Apocatropica

A title like Apocatropica evokes various associations, but Baywitch’s members Lila Burns, Jake Meierdierck and Sicily Robinson explain that we should think of it as “a realm marred by mists, myths and monsters, a campy parable for very real-life wildfires, colonialism, bias, capitalism and the never ending ever pending doom-news whirlpool.” On this new mini-album (6 songs in 26 minutes) the Seattle-based trio may play surf-rock, but due to the addition of dark lyrics, hazy vocals and psych influences, their sound is more reminiscent of Thee Oh Sees than The Surfrajettes. It’s “smurf-rock toon doom” as they call it, ominous and hypnotic – quite impressive.

“Victory was forecast but misfortune feeds on faith. All eyes looking forward to an ego-manic fate.”

“Look, look, look for liars, preying on your tall desires; never had a clue, so goes the doom generation down.”

Apocatropica is out now digitally, on cassette and 12″ vinyl through Halfshell Records.

Add to wantlist: Bandcamp 

New EP: Head Kits || Sleep Hygiene

I’d like to introduce you to Head Kits, a new project by Gimme 5 alumn Devon Milley (Ex Press, Monsterbator) and Victor Lewis (Vic Lou, Monsterbator). Head Kits was born out of a shared love for music, a necessity for writing songs, and having to balance that with a busy professional and family life. Milley explains: “I guess the reason my last two projects have been two-person bands is, because life is so busy it’s just easier to collaborate with one other like minded friend rather than find the time to schedule band practice and things like that.”

Intent on creating garagepunk-oriented stuff, Milley and Lewis started a playlist of influences and sonic direction leading up to the recording – I recommend checking that one out as well, it’s a delightful mess of styles and sounds. Both musicians brought in a couple of songs which were recorded in one day. Milley’s 8-year old daughter Karmen drew the colorful cover, and that basically sums up the birth of Head Kits’s debut 8-song EP/mini-LP.

The title track provides a raucous and energetic start to your Tuesday. It’s probably my favorite of the 8 songs and opens the record on a high note. But things get even more interesting after that one. Milley and Lewis will take you on a trip through their eclectic musical preferences, and in doing so avoid the common pitfall with this kind of music that it can feel like one giant blur of noise.

It likely won’t be the last trip Head Kits will take us on: “Before recording our motto was ‘low expectations/fun results.’ The session went so well that we’re already making plans to record our next album.”



Add to wantlist: Bandcamp

New album: The Laurels || homecoming

With a modified line-up – Luke O’Farrell (guitar, vocals) and Piers Cornelius (guitar, vocals) are now joined by new members Kat Harley (bass, vocals) and Ben James (drums) – Australia’s The Laurels are back with their third full-length album, which bears the telling title Homecoming. The 4-piece plays a bewitching mix of shoegaze and psych rock, with dreamy vocals, rolling guitar melodies and dense synth soundscapes. As a sort of fifth member, producer Lachlan Mitchell provided composition ideas and extra instrumentation, making the record more layered than the previous work of the band. In 10 original songs – almost 50 minutes – the gripping sound puts you in a kind of intoxication, and that’s a good thing in this case.

Homecoming is out now digitally and (soon) on vinyl LP through Third Eye Stimuli Records.

Add to wantlist: Bandcamp || Discogs

New album: Star Party || Meadow Flower

On their debut LP Meadow Flower, Star Party (Seattle) are a bit like a chef trying to find the perfect balance between sweet and sour. The sweet voice of Carolyn Brennan juxtaposes nicely with the tsunami of loud buzzsaw noises produced by Ian Corrigan (Gen Pop, Vexx), and the whole sounds better than the sum of its parts.

Call it hardcore twee, c-86 punk or whatever you like, Meadow Flower is a record to cherish. It invites you to study its ancestry. You’ll find traces of psychedelic rock, garage, ’60s girl group, (post)punk and ’80s underground pop. A more recent reference point is UV-TV’s 2017 record Glass. That band became more pop oriented on subsequent records, and I’m curious what the trajectory of Star Party will be. But until then, I will be plugging this record to all my friends.

Meadow Flower is out now. LP available through Feel It Records (US) and Tough Love (UK).



Add to wantlist: Bandcamp || Discogs 

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