Indie Rock

Album review: The Pretty Flowers || Never Felt Bitter

Ambition meets renewed creative vigor on third LP

The Pretty Flowers seem intent on singlehandedly reviving alternative rock with their new album Never Felt Bitter, or so it seems! There’s a level of creativity and energy to this new batch of songs that’s hard to ignore, nor should you want to. The Pretty Flowers are an inspired bunch here. And I’m only labeling this as alternative rock because the band covers so much ground—from arena-ready rockers to catchy modern alt-pop and a whole lot more—and I don’t have the time today to go into all the details. Let’s say the RIYL (Replacements, Teenage Fanclub, and Wilco) paints far from a complete picture.

With a record touching so many corners of alt-rock, it’s the kind of album where some may label it as an AOTY contender for its ambition and execution, while others are just here for the singles in their preferred genre of choice. Listen to Thief Of Time if you’re into jangly modern power pop. Listen to To Be So Cool or Came Back Kicking if you like catchy punky college rockers. Listen to Ocean Swimming if you love punchy alt-pop, or jangly Teenage Fanclub-esque material like Convent Walls. There’s a lot of music on this LP, and the digging and picking process sure is rewarding.

There’s a reason the press release explicitly mentions songwriter Noah Green moving from a busy city apartment to a place of silence and space in the Sierra Madre. There’s a renewed vigor and level of creativity to The Pretty Flowers on Never Felt Bitter, and it shows in every corner of this thing.

Buy now on Cd or LP at Forge Again Records.


Add to wantlist: Bandcamp || Discogs

EP review: Hedge || Freeze Frame High Five

The follow-up EP from this Worchester trio release is just as instant and addictive as their debut LP

Hedge are what happens when pop punk kids can’t stop listening to bands like Superchunk, Dinosaur Jr., Hüsker Dü, and Lemonheads.

We were instant fans of their 2024 debut LP, and that also applies to the new EP Freeze Frame High Five. Five new bursts of alt-pop punk plus a pretty faithful but sped-up version of a Guided By Voices classic make for a quick listen you keep circling back to.

This is neither overly sugary nor overly raw. Expect fast, melodic punk with crunchy, slightly fuzzy guitars that lean into ’90s alternative rock energy. Hedge stick to a niche that clearly work for them, as it does for us listeners.

Out now on 12″ at Best Brother Records.

Add to wantlist: Bandcamp

New album: Dishes || Drama

When activism meets anthemic and melodic indie punk

Dishes (Amsterdam & Leiden, the Netherlands) are a deeply political punk band, yet sound surprisingly bright and melodic on their debut album Drama. Sure, there’s a sense of melancholy and weariness to the ten songs, and sure, they deal with heavy topics, both large (power, displacement, injustice, and solidarity) and small and deeply personal (mental health, sexual misconduct). These people are activists at heart, and their intentions are as real and honest as the songs on Drama.

Subroutine Records, who are releasing the record, dub the sound of Dishes as “driving, anthemic and wistful indie power pop punk,” and I can get behind that. Dishes are a deeply melodic band, with all of its members chiming in vocally and instrumentally. This is not a cut-and-paste ’90s throwback band, but a band that very much tries and succeeds in carving their own niche. And Shireen’s voice is the thread connecting it all, turning activism into songs that hit you in the gut and stick in your head.

LP out now on Subroutine Records.


Add to wantlist: Bandcamp || Subroutine

New album: Skin and Wire || Go Pop!

Dancing on the fault line between control and collapse

Skin and Wire release a new full-length album.. With its exclamation-marked title—Go Pop!—and vibrant cover art, it initially promises pure power pop. Not quite. While the hooks are sharp and the melodies undeniably catchy, the record ultimately leans toward a scruffier mix of folk and post-punk, threaded with indie rock sensibilities. The five-piece from Toulouse, France also plays with expectations thematically: despite its uplifting tone and titles like Party House and Captain Swing, the lyrics—partly in French, partly in English—reveal a much darker edge.

The nine songs are snapshots of a world where progress feels ominous and society edges toward collapse. They critique the uneasy ties between technology, power, and control, while capturing growing inequality and unrest: “Hey, ho, Captain Swing // Won’t sit around a-playing with my ding-a-ling ling // Nobody give a smile when the time bell ring // Going on the murder mile with Captain Swing.” Yet amid the tension, misfit characters carve out moments of identity and connection, beyond shadow of doubt enhanced by original violin parts and brisk harmonies.



Go Pop! is out now digitally (self-released). Featuring Luke Askance (banjo, vocals), Bog Mallow (guitar, vocals), Luci Schneider (bass, vocals), Léonard Bossavy (percussion, keyboards, vocals), and Camille Sabathier (violin).

Add to wantlist: Bandcamp

New album: Monda || Waiting For Your Mistake

Mike Maietta's basement pop empire strikes again

Monda is what happens in Mike Maietta’s New Jersey basement, but doesn’t stay there. For the past seven years or so, he’s been writing and recording catchy lo-fi tunes, sometimes solo, sometimes with the support of friends. Monda’s latest is titled Waiting For Your Mistake and flies through 16 songs in 25 minutes. If anything, it shows a typical Monda song respects your attention span, in and out before your brain even has time to wander.

At times, Monda sounds like a more groovy and danceable version of Terry Malts, especially in the first half. The second half offers more punk-leaning basement pop. Overall this is a varied record, and DJs have plenty to pick from for their next radio show or Mixcloud playlist.



Add to wantlist: Bandcamp

New EP: Civic Mimic || Civic Mimic

Jeff Hersch's lockdown project returns as a full band punch after five year hiatus.

Jeff Hersch (Glazer) started releasing music as Civic Mimic in the early months of the COVID pandemic, dropping about 25 songs across four releases between May 2020 and April 2021. After that… crickets.

Pandemic over, band over would have been a fair assumption, but Civic Mimic is back with a self-titled three-song EP that feels like a reset. This time, Civic Mimic go full band. No social distancing, just bodies pressed in, volume cranked, and sweat flying all over each other. The songs are that hot.

I have said it before, but fans of Tenement should really be paying attention. Civic Mimic tap into that same mix of scrappy hooks and blown-out charm, playing it with enough swagger to keep things from ever feeling too clean.

If the band’s social media manager is to be believed, there is more on the way, which is for the better, as this sounds too good for a one-off return.

Limited tape run available at their live shows.


Add to wantlist: Bandcamp

New album: True Green || Hail Disaster

Stories that linger like sirens in the distance

“Putting out music right now feels like handing out your resume at a funeral” and “things in Minneapolis are really shitty right now,” yet that situation doesn’t stop Dan Hornsby and Tailer Ransom from releasing a sophomore album with their indie folk project True Green. It only makes the meaning of the thirteen new tracks on Hail Disaster even greater, I guess. The lo-fi haze of their debut LP My Lost Decade—we called it wobbly bedroom pop at the time—has been exchanged for something fuller, warmer, and quietly devastating.

Dan Hornsby writes like a novelist because he is one; his songs read as short stories about cruelty, obsession, and loss. His voice stays soft, but the weight behind it has shifted; these are hard-earned reflections. The organ, banjo, synthesizers, concertina, and guitar by multi-instrumentalist Tailer Ransom wrap everything in a fragile glow, at times somewhat reminiscent of The Velvet Underground, equal parts homespun and haunted. It led to a beautiful and impressive soundtrack for the current context; outside the world burns, inside this music documents the turmoil with unsettling grace.



Hail Disaster—mixed and mastered by Matt Castore—is out now digitally and on vinyl LP through Spacecase Records. Also featuring Dustin James, John Goddard, Zach Mitchell, Kent Peterson, Curtis Arnett, Nik Eskola, Scott Kiefner, Isaac Butler, and Jared Bartman.

Add to wantlist: Bandcamp || Spacecase

New album: Gladie || No Need To Be Lonely

The message of the album title lands, loud and literal

With Jeff Rosenstock behind the boards, Philadelphia-based indie rock/pop punk outfit Gladie snap into the red without ditching the introspection that’s defined singer Augusta Koch’s post-Cayetana evolution. The twelve songs on new long-player No Need To Be Lonely are not only characterized by her awesome vocals, but also by big guitars and bigger feelings, delivered with zero gloss.

The words here matter, like the ones about showing up for yourself and your people, even when you’re barely holding it together: “Should have listened more and talked less / Every dumb cliche is true / Wish we could ignore this / Sit on your couch and talk shit like we used to” (from Brace Yourself). The alternation of messy and sensitive really hits, with a strangely comforting aftertaste.



No Need To Be Lonely—produced by Jeff Rosenstock—is out now digitally and on vinyl LP through Get Better Records. Featuring Augusta Koch (guitar, vocals), Matt Schimelfenig (guitar, keyboard, piano, vocals), Evan Demianczyk (bass), Miles Ziskind (drums, percussion), and Liz Parsons (backing vocals), with Jeff Rosenstock (organ, mellotron, backing vocals) and Anthony Hoey (guitar) on select tracks.

Add to wantlist: Bandcamp || Get Better

New album: Red Arrow Highway || Be Someone Better

Earnest heartland (punk)rock from Western Michigan

“When did pop music become so goddamn algorithmic?” That’s the rhetorical question opening Be Someone Better, the second LP from Red Arrow Highway.

And to act on that criticism, the Western Michigan band delivers earnest and honest rock songs with a clear pulse and human integrity. Now imagine those songs played by punk rock lifers who also love their Petty, Springsteen, and Oberst. From reading the press release, I expected this to sound way more formulaic. But while Red Arrow Highway slide into the territory of Gaslight Anthem, Spanish Love Songs, and Menzingers, and although there’s definitely an emotional edge to their delivery, they escape fake pathos and never sound like they’re just copying the bands they love. A little less anthemic than their peers perhaps, but they still sound powerful, and I appreciate the band’s subtlety.

Be Someone Better is proof that earnest rock ‘n’ roll with a pulse still exists, and it doesn’t need an algorithm to find you. Buy the LP at Self Aware Records.


Add to wantlist: Bandcamp

New EP: Sleep Tight Tiger || Plum Something

Ypsilanti's cutest export delivers pure fun

Sleep Tight Tiger is four friends from Ypsilanti, Michigan, whose North Star is FUN. Judged by their music, this involves roller skating, dancing, drawing, and dreaming (no nightmares allowed). The sound is super cute twee alt-pop, mostly upbeat and lo-fi, with one song (Sweet Dreams) as the slower-paced exception to the rule. This is pop music with a heartbeat and a kind soul, the kind that makes you smile without asking permission. Lyrics like this one say it all:

“Let’s skate side by side, both winners, yeah it’s not a race
Got no deadlines, just a setting sun that we can chase”

One of the tags on Bandcamp for this release is “awesome,” which makes perfect sense.


Add to wantlist: Bandcamp

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