Niek

New single: Teenage Woman || Teenage Woman

I’ve been thinking about Lookout! Records quite a lot this year. It’s probably because I finally read Larry Livermore’s fascinating account of the rise and fall of the legendary Bay Area pop punk label. Of course, there was Pavid Vermin’s excellent tribute to the infamous Lookout! comps. There were several compilations and reissues of classic Lookout! bands as well, including Mr. T Experience, Groovie Ghoulies, and that hard to get first Donnas LP. And then there are the new acts who are clearly inspired by the classic Lookout! sound. Case in point: Teenage Woman. It’s a sideproject by Grath Madden (Steinways, House Boat), with Miranda Taylor (Full of Fancy) on vocals. They just released a sweet three song single that would fit perfectly on Lookout’s nineties roster. Check out the one-minute I Feel Fine, and see if you agree.

Lookout! Records is dead. Long live Lookout! Records.


Add to Wantlist: Bandcamp

New album: Fievre || Fievre

Early 1987, The Ramones played their first ever show in Argentina. Now, almost 34 years later, we still reap its rewards. Fievre, from Buenos Aires, are clearly ‘Ramoneros,’ and their new selftitled record consists of twelve instant bubblegum punk classics. From album standout La vía es bella to No sos como yo, an awesome cover of the Muffs’ Not like me, Fievre clearly wants you to pogo your way through Covid-19.


Add to wantlist: Bandcamp (name your price download)

New Single: Jiffy Marx || She’s My Witch/Warning Sign

Jiffy Marx knows his way around a tune. He plays in Autogramm, who released a bunch of great singles (this is my favorite). He just released his first solo 7″. It’s a classic double A-sided power pop single. Here is She’s my Witch, a song about his wife, who I am sure he loves very dearly. The video, another solo effort by Jiffy, is build around a classic optical illusion that smartly complements the lyrics. Well played, Jiffy. Well played!

Add to Wantlist: Bandcamp || Discogs

New single: The Cavemen || Euthanise Me

Australia and New Zealand have become a hotbed for a lot of today’s best punk acts, with Amyl and the Sniffers, Dennis Cometti, the Chats and Stiff Richards. The Cavemen are cut from the same mold. Their 2019 record Night after Night comes highly recommended. On their latest single Euthanise Me, they blister through 4 classic punk tracks in less than 8 minutes. High intensity, plenty of melody.


Add to Wantlist: Bandcamp || Discogs || Slovenly Records

New Album: Adele & The Chandeliers – First Date

Adele & The Chandeliers is a new project by Adele Pickvance of Go-Betweens fame. Adele’s bass-playing is a driving force on their debut First Date, which consists of ten groovy radio friendly post-punk tunes with dashes of 60’s pop, soul and power pop. Pre-order now at Pretty Olivia Records (Spain).


Add to Wantlist: Bandcamp || Discogs

Album: Eaten by Snakes || Calming Pink

I am terrible in estimating a band’s popularity. Here is a band, a duo actually, that have a sound for which clearly there is a wide audience. Think Superchunk, think Bob Mould, think Japandroids. They release a well produced filler-free record that sounds mature and self-assured. A record that is instantly satisfying, but also becomes better with every play. A record that has great artwork as well. I am talking about Calming Pink by Eaten by Snakes. That band has 175 monthly listeners on Spotify. Shakin’ my head in disbelief.

Add to wantlist: Bandcamp || Discogs || Shield Recordings

New Album: The Chives || The Chives

The Chives are pretty loud for a lo-fi band. They act pretty tough as well. They call your mom a bitch, they buy guns, do drugs and steal your candy. You’d almost miss the sweet and catchy bubblegum pop that’s underneath their loud and fuzzy guitars.


Add to Wantlist: Bandcamp || Super Wimpy Punch

Reissue: The Last || Look Again

The Last released their debut L.A. Explosion in 1979 on the legendary Bomp! Records. I only discovered the record when my all-time favorite bands, Descendents, cited them as their primary inspiration. I fell in love instantly. L.A. Explosion sounds like a beachy mashup of Nerves and the Clash. Despite their pop sensibilities, great harmonies, and sheer variety in songwriting, the Last never made it out of their L.A. scene. To add insult to injury, their DIY attempt to record their sophomore album ended in a warped sound, and zero label offers. Fast forward 40 years (!), modern technology fixed the original tapes and the record is out at last. It’s a bittersweet release that I can’t wait to have in my collection. Fingers crossed that they will do a deluxe remastered reissue of L.A. Explosion next.

Add to wantlist: Bandcamp || Discogs

New single: Heavy Lag || Demo

New band alert! Brooklyn based Heavy Lag say they play dirt pop, which is an apt description of their fuzzy and punky take on powerpop. The A-side has the second best use of an intro sample of the year (#1 here). It is short, and so catchy I played it thrice before moving to the B-side. That offers another killer track, reminiscent of Marked Men. Curious to hear what these guys will cook up next.


Add to Wantlist: Bandcamp

New Album: SBDC || The Feeling of Winning

SBDC stands for Stupid Bitches & Dumb Cunts, which suggests these riot grrrls don’t take themselves to seriously. Fortunately, their new record on Kingfisher Bluez is no gimmick. It is a strong collection of very catchy pop punk songs. More punk than Holly & the Italians, and more rawk than fellow Canadians Pale Lips. SBDC takes a well-trodden path, but their execution, especially in the vocal department, puts them ahead of the pack.

Add to wantlist: Bandcamp || Discogs

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