If you, like me, have fond memories of Boston punkrockband The Explosion, then you are familiar with Matt Hock’s powerful and distinct voice. Imagine my excitement when I found out that Matt has started a new project with his former bandmate David Walsh, and that Wiretap Records will release their debut a couple of months from now. Here is the first song, which is a pleasant surprise. It’s a departure from the high-octane and tight punkrock of The Explosion. It’s guitar-driven and loose, and influenced by postpunk, britrock and new wave. It’s the kind of song that intrigues and gets under your skin upon first listen.
Early this year, RECKLING (Kelsey Reckling) recorded 24 Hours for the Burger Records Quarantunes compilation series. I liked that song enough to start following her on Bandcamp. She released her debut full length on cassette in 2018, which is worth checking out if you are into garagepop/rock. Last week she released another great tune, Spiders. This garagerock track has a strong ’90’s alternative music vibe. It’s the kind of song MTV would have played to death in the nineties, and I wouldn’t have minded that at all. The song features Max from Fidlar on drums, who also produced the song. Fingers crossed RECKLING will release her sophomore album in 2021.
At the start of each year, I create a playlist to keep track of newly released songs I like. Then, at the end of the year, I pick out the best song from this list to create a year-end mixtape, a playlist I like to return to every now and then, and revisit or rediscover songs and memories of a specific period of time. The thing is, I am not a very efficient person. So basically I drag songs to the playlist for 350 days resulting in quite the mess – the playlist currently has 1944 songs, almost 92 hours of music. Then, with the year coming to its close, I frantically go to work trimming down the playlist to its essence. That’s the hard part, because I am way better in adding stuff than throwing things away, or so I am told. I usually end up with a playlist around 300-400 songs, in spite of my good intentions to keep it shorter. This year is no exception. What I did do differently this year however, is split up the songs in two playlists that reflect my two musical taste buds: a playlist with more straightforward punk, powerpop and garage hits from 2020, and one playlist with a little less distortion (i.e., indiepop, jangle, twee, but also postpunk, and more fuzzy and surfy popsounds). As always, one song per artists. Click read more to check them out. Hope you’ll like ’em, and will uncover some new favorite tunes! BTW, in case this is my final post of the year, take care, be well and see you in 2021!
Last week, I published my Top 50 Albums of 2020. The week before, Dennis published his. Time for the final AtW list of 2020: my Top 40 Singles and EP’s of year. There was a lot to choose from, and I am sure I overlooked and forgot several releases that would otherwise be included on this list. I opted out of the painstaking process of ranking these singles and EPs, so the bands are in alphabetical order. If I had to choose though, Romero probably would be my #1 pick, followed by Hard Action,Civic. Click below on read more to go to the list. I’ve included short explanations and my favorite song of each single/EP, either with a bandcamp embed or a video. If you like what you hear, just click on the title and AddToWantlist. There is an almost complete Spotify playlist of the releases at the bottom of this post – six are currently not on that platform.
With 2020 stumbling to the finish line, let’s focus on something to look forward to in 2021: In April, Jakob Mind will release his debut The One That Got Away on Lövely Records. Jakob Mind is a new solo project by Jakob Arvidsson from Sweden, who you may know from garagepunks Rotten Mind, or the pretty awesome Undertonesque poppunk band Real Tears. Currently, Jakob has leaked two songs of the album, watch and listen below. These songs are fast, melodic, and insanely catchy. Hope they make you as curious about the rest of the record as I am.
There is a lot I hate about the Internet, but here’s something I love. Two years ago, I received a LinkedIn request from someone from the US I hadn’t met. Let’s call him Dan. Apparently, Dan followed me on Spotify, appreciated some of my playlists and wanted to say hi. That in itself I thought was a cool thing of him to do. Fast-forward two years, I messaged him that my AOTY list was up and that I started this blog with my brother. Dan replied and shared his own Top Ten of 2020 which he was working on for his friends’ annual poll. Dan’s top 10 included 9 excellent picks, and one completely unknown one from Japan: 錯乱前戦 (Sakuran Zensen). I have been playing their latest album I am SAKURAN-ZENSEN nonstop this morning. What an exciting garage rock-‘n’-roll record. Just one look at the album cover and the video below tells me: these guys know exactly what they are doing and are destined for bigger things – they remind me of early Hives in that sense. So thank you, Dan. And welcome to the wantlist 錯乱前戦!
Lookout for a list of records we overlooked in 2020 sometime in the near future.
I am a sucker for year-end lists. They help uncover releases I missed, artists I overlooked, and curators worth following. I equally love the process of creating my own lists. There is an instrinsic value and joy in revisiting and reflecting on the records that come out each year. It offers a reminder that some records take time to appreciate, while others’ immediate appeal ultimately proved to be short-lived. One noticable trend in this streaming age is that artists release a crazy amount of great songs, whereas their albums often fail to live up to that promise. Quite a lot of my favorite songs of the year were on releases I left out my top 50. This top 50 celebrates the art of great collections of songs, records I own, records that are on my wantlist,records I’ve played and enjoyed front to back. What about those great individual songs? I will share my favorites in a playlist before the year is over (Update: I made two). I will also publish a list of my favorite singles (7″, digital) and EP’s of 2020 next week (Update: it’s here). And, of course, don’t forget to check out Dennis’ favorite records of 2020.
Ok, less talk, more rock. Below you’ll find my favorite records of the year. Mostly punk, garage, powerpop, rock-‘n’-roll, indiepop and indierock releases. I’ve added short descriptions of what I love about each record, and sample songs and video’s. If you like what you hear, just click on the album title and AddToWantlist. Oh yeah, and for you streamers out there, there’s a playlist with my favorite song of each record at the bottom of this post. Let’s go!
Add to Wantlist is all about finding that next musthave record for (y)our collection. There are of course many ways to achieve this. We all have trusted record labels, record stores, music blogs, reviewers and playlist curators. With Gimme 5! we take a peek into the collections of artists we admire. The premise is simple: artists WE like, share 5 records THEY love. Sometimes this will be all time-favorites, but the top 5 can also be more genre-, scene-, theme- or region-specific.
To kick things off, we asked our new favorite Argentinian punk band Fievre to introduce us into a scene that, in all honesty, is unknown territory to us. Fievre singer Chelo (left on photo above) was so kind to share his 5 essential Argentinian punk records. Click below to see it. Chelo added words and video’s to his favorite song off each record. We added Discogs links to enable easy adding to your wantlist – which I already did for four out of five of the releases on this list. Thanks Chelo!
Remember Third Wave Ska, the grandchild of the genre that originated in Jamaica in the ’60’s, bred on a steady diet of punkrock, trumpets and trombones? Remember Reel Big Fish? Less than Jake? Dance Hall Crashers? The Mighty Mighty Bosstones? For a short window in the second half of the nineties, ska was kind of a big deal. Major labels signed the bands, MTV played the video’s, bands sold out the shows, and kids bought the cd’s…or downloaded the tunes. And just as sudden, ska disappeared from the limelight and returned to its natural state: the underground.
Funded by a kickstart campaign, Pick It Up documents this period. It’s all there: the sound, the dance moves, the clothing, the challenging group dynamics of touring with a band of eight human beings instead of the standard three or four, and the cognitive dissonance associated with selling out – or lack thereof. It’s a fun thowback to the heydays of 90’s ska, with many of the main players featured. To be honest, not all of these bands hold up as well, but there are plenty of ska comps and bands that I still enjoy (Bosstones! Hepcat!). I have sweet memories of seeing a lot of these bands live, even though I was more into (hardcore)punk. For a little while, ska made the punk scene more fun and diverse, it made school band geeks cool (well, sort of…), and like comedian Benji Aflalo says in the film: “skankin is so mechanically easy, it gave every awkward kid a chance to move.”
Pick It Up is a documentary very much about nineties ska, though it’s respectful to its history- there is a short animated feature section on ska’s roots narrated by Rancid’s Tim Armstrong, that is an absolute treat. In the end, this is a fun and well executed documentary, and a must watch if you were part of that scene or a fan of 90’s alternative music.
The Sweatys released two demo’s in 2020: Warm Up and Stretch. Because why make yourself an easy google search, right? I know nothing about this band, but I hope to hear more. They play fast and raucous punk, and show quite the potential. Check out my favorite song of each demo below.