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Documentary review: Pick It Up || Ska In The 90’s

Remember Third Wave Ska, the grandchild of the genre that originated in Jamaica in the ’60’s, bred on a steady diet of punkrock, trumpets and trombones? Remember Reel Big Fish? Less than Jake? Dance Hall Crashers? The Mighty Mighty Bosstones? For a short window in the second half of the nineties, ska was kind of a big deal. Major labels signed the bands, MTV played the video’s, bands sold out the shows, and kids bought the cd’s…or downloaded the tunes. And just as sudden, ska disappeared from the limelight and returned to its natural state: the underground.

Funded by a kickstart campaign, Pick It Up documents this period. It’s all there: the sound, the dance moves, the clothing, the challenging group dynamics of touring with a band of eight human beings instead of the standard three or four, and the cognitive dissonance associated with selling out – or lack thereof. It’s a fun thowback to the heydays of 90’s ska, with many of the main players featured. To be honest, not all of these bands hold up as well, but there are plenty of ska comps and bands that I still enjoy (Bosstones! Hepcat!). I have sweet memories of seeing a lot of these bands live, even though I was more into (hardcore)punk. For a little while, ska made the punk scene more fun and diverse, it made school band geeks cool (well, sort of…), and like comedian Benji Aflalo says in the film: “skankin is so mechanically easy, it gave every awkward kid a chance to move.”

Pick It Up is a documentary very much about nineties ska, though it’s respectful to its history- there is a short animated feature section on ska’s roots narrated by Rancid’s Tim Armstrong, that is an absolute treat. In the end, this is a fun and well executed documentary, and a must watch if you were part of that scene or a fan of 90’s alternative music.

Add to wantlist: Skamovie

New single: Sweatys || Warm Up & Stretch (2020 Demos)

The Sweatys released two demo’s in 2020: Warm Up and Stretch. Because why make yourself an easy google search, right? I know nothing about this band, but I hope to hear more. They play fast and raucous punk, and show quite the potential. Check out my favorite song of each demo below.



Add to wantlist: Bandcamp

New album: Veronica Bianqui || Veronica Bianqui

I totally forgot about Veronica Bianqui. So, when I heard the opening track of her just released self-titled debut, two things came to mind. One, I freaking love this song. And two, I know this song! I am referring to If Love’s a Gun, a song she released  5 (!) years ago. What took her so long? In this Buzzbands.la interview she talks about finding her voice, and dealing with personal loss and heartbreak, In spite of these struggles, this is a very confident sounding debut. Veronica’s songs are instantly likeable, but leave plenty to discover upon further listens. Veronica has an amazing voice, and these songs are pop enough and strong enough to katapult her into stardom.
Update: Almost Halloween Time Records has a limited edition of 50 copies with individually designed and hand drawn sleeves.


Add to Wantlist: Bandcamp || Discogs

New single: Teenage Woman || Teenage Woman

I’ve been thinking about Lookout! Records quite a lot this year. It’s probably because I finally read Larry Livermore’s fascinating account of the rise and fall of the legendary Bay Area pop punk label. Of course, there was Pavid Vermin’s excellent tribute to the infamous Lookout! comps. There were several compilations and reissues of classic Lookout! bands as well, including Mr. T Experience, Groovie Ghoulies, and that hard to get first Donnas LP. And then there are the new acts who are clearly inspired by the classic Lookout! sound. Case in point: Teenage Woman. It’s a sideproject by Grath Madden (Steinways, House Boat), with Miranda Taylor (Full of Fancy) on vocals. They just released a sweet three song single that would fit perfectly on Lookout’s nineties roster. Check out the one-minute I Feel Fine, and see if you agree.

Lookout! Records is dead. Long live Lookout! Records.


Add to Wantlist: Bandcamp

New album: Fievre || Fievre

Early 1987, The Ramones played their first ever show in Argentina. Now, almost 34 years later, we still reap its rewards. Fievre, from Buenos Aires, are clearly ‘Ramoneros,’ and their new selftitled record consists of twelve instant bubblegum punk classics. From album standout La vía es bella to No sos como yo, an awesome cover of the Muffs’ Not like me, Fievre clearly wants you to pogo your way through Covid-19.


Add to wantlist: Bandcamp (name your price download)

New Single: Jiffy Marx || She’s My Witch/Warning Sign

Jiffy Marx knows his way around a tune. He plays in Autogramm, who released a bunch of great singles (this is my favorite). He just released his first solo 7″. It’s a classic double A-sided power pop single. Here is She’s my Witch, a song about his wife, who I am sure he loves very dearly. The video, another solo effort by Jiffy, is build around a classic optical illusion that smartly complements the lyrics. Well played, Jiffy. Well played!

Add to Wantlist: Bandcamp || Discogs

New single: The Cavemen || Euthanise Me

Australia and New Zealand have become a hotbed for a lot of today’s best punk acts, with Amyl and the Sniffers, Dennis Cometti, the Chats and Stiff Richards. The Cavemen are cut from the same mold. Their 2019 record Night after Night comes highly recommended. On their latest single Euthanise Me, they blister through 4 classic punk tracks in less than 8 minutes. High intensity, plenty of melody.


Add to Wantlist: Bandcamp || Discogs || Slovenly Records

New Album: Adele & The Chandeliers – First Date

Adele & The Chandeliers is a new project by Adele Pickvance of Go-Betweens fame. Adele’s bass-playing is a driving force on their debut First Date, which consists of ten groovy radio friendly post-punk tunes with dashes of 60’s pop, soul and power pop. Pre-order now at Pretty Olivia Records (Spain).


Add to Wantlist: Bandcamp || Discogs

Album: Eaten by Snakes || Calming Pink

I am terrible in estimating a band’s popularity. Here is a band, a duo actually, that have a sound for which clearly there is a wide audience. Think Superchunk, think Bob Mould, think Japandroids. They release a well produced filler-free record that sounds mature and self-assured. A record that is instantly satisfying, but also becomes better with every play. A record that has great artwork as well. I am talking about Calming Pink by Eaten by Snakes. That band has 175 monthly listeners on Spotify. Shakin’ my head in disbelief.

Add to wantlist: Bandcamp || Discogs || Shield Recordings

New Album: The Chives || The Chives

The Chives are pretty loud for a lo-fi band. They act pretty tough as well. They call your mom a bitch, they buy guns, do drugs and steal your candy. You’d almost miss the sweet and catchy bubblegum pop that’s underneath their loud and fuzzy guitars.


Add to Wantlist: Bandcamp || Super Wimpy Punch

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