Dennis

New album: Jim Lindberg || Songs from the Elkhorn Trail

What is it with experienced punk rockers who go solo and turn the volume down a bit? Actually, the result is almost always satisfying, because when they don’t hide behind a wall of noise, you really hear how good their melodies, playing and vocals are. That certainly applies to singer / songwriter Jim Lindberg, who with Pennywise has provided skate punks their soundtrack for the last 30 years. On his acoustic solo debut album Songs From The Elkhorn Trail he lets out a different sound, quiet and intimate. It feels very fitting to his more personal lyrics – about his life story, family and friends, loneliness and alienation, memories of his late father. Although the 12 original songs are not necessarily cheerful, musically they are certainly not depressed – the tracks radiate hope and understanding, as if a good friend puts an arm around you in comfort. Satisfying.

“Hello, goodbye, hello again // Loneliness, you are my only friend // It’s just you and me inside my head”

The album is produced and mixed by Tedd Hutt (Gaslight Anthem, Lucero, Dropkick Murphy’s), and features David Hidalgo Jr. (Social Distortion) on drums, Joe Gittleman (The Mighty Mighty Bosstones, Avoid One Thing) on ​​bass, and Marc Orrell (The Dropkick Murphy’s, The Walker Roaders) on guitar and keys. Connor Vance (cello, viola, violin) and Glen Marhevka (trumpet) make valuable contributions. The album title and Bob Dob’s cover artwork reflect the fact that many of the songs were written at Jim’s father’s Palm Desert rental house near the Elkhorn Trail.

Songs From The Elkhorn Trail is out now digitally, and May 6 (2022) on CD and vinyl LP, via Epitaph.

Add to wantlist: Bandcamp || Epitaph

New album: David Christian & The Pinecone Orchestra || For Those We Met On The Way

UK singer / songwriter / guitarist David Christian (aka David Charlie Feck aka Charlie Damage) has been making pretty good music with eclectic indie rock collective Comet Gain since 1992, but after 29 years it felt like a good time to also do a solo album. He had exchanged London for the South of France, and after a while of picking up pinecones with the sun on the back of his head, in which he tried to make sense of all the opinions about the pandemic, Brexit and stuff, he decided he simply had to express his inner soul. With the kind help of numerous friends* on numerous instruments, he created For Those We Met On The Way, a timeless folk-rock album – honest, tender and authentic as it should be. The album title and songs are inspired by the relocation and all the emotions that came with it, which brought faded moments, people and places back to mind. There are beautiful acoustic guitar ballads like Holloway Sweethearts, but also haunted rock tracks with a post-punk feel, like The Ballad For The Button-downs, all well crafted. This first solo LP is an instant classic in the genre.

*The group of friends, meanwhile called The Pinecone Orchestra, consists of James Horsey and Alasdair MacLean (The Clientele), Ben Phillipson (18th Day Of May/Trimdon Grange Explosion/Comet Gain), Gerry Love (Teenage Fan Club/Lightships), Anne- Laure Guillain (Comet Gain/Cinema Red And Blue), Joe-Harvey Whyte (Hanging Stars), Mike and Allison Targett (Heist), and Cosmic Neman (Zombie/Zombie, Herman Dune).

For Those We Met On The Way is out now digitally, on CD and vinyl LP through Tapete Records.

Add to wantlist: Bandcamp || Tapete 

New album: Toby Vest || False Regime

You may know Memphis songwriter/producer/engineer Toby Vest of psychedelic garage rock band Tiger High, who recorded some fine records in the first half of the 2010’s. But since then he has also released four albums under the Shadow Brother moniker and other collaborative projects such as Detective and The Bulletproof Vests, as well as producing music by numerous other artists/bands. It had to happen, today he released False Regime, the first LP under his own name. It’s a debut that sounds completely different from the Tiger High stuff: no lo-fi guitar violence, but eleven perfect pop songs, rich, soulful and orchestral. I asked Toby about that:

“This album was very influenced by the mid 60’s California Wrecking Crew era of production. Albums like Pet Sounds and Forever Changes are constantly referenced when people talk about this period, so it’s not like I’m re- inventing the wheel or anything, haha! The work of the Wrecking Crew on songs/albums by the Association, the Monkees, the Grass Roots, etc., and the production work of Curt Boettcher on albums by the Millennium, Sagittarius, and the Left Banke were major influences along with Scott Walker’s Scott 4. Outside of the production influences I think the way those producers and the Wrecking Crew approached song arrangements was another thing I wanted to bring to my songwriting on this album. In order to do that I had to call on my own wrecking crew* of musicians here in Memphis and they are really responsible for bringing the arrangements to life.”

Here speaks a real musician. Even if he taps from another barrel, the brew is very tasty. You could call the new work of the skilled multi-instrumentalist baroque pop; it breathes the late 60’s, with a psych edge. Anyway, this is very pleasant music, melodic, colorful, melancholic and mind-blowing. Stream the full album below.

“All your stars stay broken // Prisoners of your unrequited dreams // All your faith is stolen // Seen it a 1000 times // Lived a 1000 lives // What’s one more false regime” (from: Pennies In The Well)

*Toby Vest wrote, produced, and sang all the songs, and played acoustic guitar, piano, mellotron, vibraphone, and percussion. Horn arrangements were done by Marc Franklin and Art Edmaiston (Gregg Allman, Dolemite score), string arrangements by Krista Wroten and Jana Misener (Memphis Dawls), who also added background vocals to a couple songs. Most of the piano and organ parts were played by Rick Steff (Lucero). Electric Guitars by Jeff Schmidtke, Steve Selvidge (The Hold Steady) and John Whittemore (Neighborhood Texture Jam, Reigning Sound), bass by brother Jake Vest. Drums and Percussion by Shawn Zorn (Amy Lavere, Twin Forks) and Rory Sullivan. Background vocals by Luke White (Snowglobe, Spiral Stairs) and Chris Milam.

False Regime is out now through American Grapefruit. Add to wantlist: Bandcamp

New EP: The Sanitizers || Kiss me, I’m vaccinated + 3

Do yourself a favor and don’t skip this one because the title above doesn’t appeal to you. The pandemic is still not done with us, but we are done with the pandemic, so we try to avoid news, books and music on that subject. But, as always, there are exceptions, as this socially isolated supergroup* – members of MFC Chicken, King Salami & The Cumberland Three, The Nettelles, Barrence Whitfield and the Savages, Lyres, among others – have put good advice to good music. Under the moniker of The Sanitizers the musicians previously released the disinfected tunes Kiss Me, I’m Vaccinated, Sneeze In Your Sleeve, and Sa-Ni-Ti-Zin, and together with a fourth, new track EE-NO-CU-LA-SHON!, these are now available as EP. Classic garage and surf rock riffs are combined with semi-serious lyrics that will make you laugh, and thanks to a saxophone and toy piano it sounds like catchy pub rock. It may be a gimmick, but it’s also a sensible use of the lock-down time: I wouldn’t be surprised if these songs are a more effective way of communicating than the government’s rational public service announcements, but what I know for sure is that this is a lot more fun. 

*The Sanitizers are Spencer Evoy (vocals, saxophone), Dan Criscuolo (guitar), Eric “Baconstrip” Boitier (toy drums, percussions), Angus McPake (vibraphone, organ, piano), Phil Lenker (bass), and Peter Greenberg (guitar, extra sneezes). Their EP Kiss me, I’m vaccinated + 3 is out now digitally and on vinyl 7″ through Folc Records.

Add to wantlist: Bandcamp

New album: Betty Won’t || Lucky

It took me a while to decode what’s in the cover photo, but my attention was captured. The band name of this five-piece hailing from South Minneapolis also raises questions: who is Betty and what does she refuse to do? That’s guesswork, but what we do know: the band consists of Margo (guitar, vocals), Eliot (lead guitar), Sheela (keys), Fletcher (bass), and Jackson (drums), and they play tender twangy rock ‘n’ roll with influences from country, blues and soul. If Tami Neilson had played in a garage rock band back in the day, I guess it would have sounded something like this. Their own description is more telling though: Betty Won’t sings with a tear in her eye and a skip in her step. Their debut album Lucky, just released, consists of five new original songs and four re-recorded tracks that were previously on a demo with the Guarantees. Lo-fi, honest, raw and authentic, captivating in every way. One question remains: would the stuffed animal on the cover be the Demon Dog they’re singing about?

Lucky is out now digitally and soon also available on cassette. Add to wantlist: Bandcamp

New EP: The Landovers || Labor Dazed

Let’s take a break, and look at everything that’s going on from a distance for a moment, while listening to Labor Dazed, the debut EP by the Landovers from Urbana, Illinois. “Ya can’t complain, let me tell ya why // Cause there’s folks out there, got it worse than I // So when I ask how ya been // Let’s just start by saying, I can’t complain.” Wise words, set to beautiful music, by a bunch of accomplished musicians who used the time during the pandemic to record four soulful country songs. There is simply nothing to complain about this project from Nicholas Stine (distinctive vocals), Clayton Deering (pedal steel), Charlie Harris (bass guitar), Cody Jensen (honky tonk piano/organ), Emily McKown (backing vocals), and Dave Pride (drums).


Labor Dazed is out now digitally. Add to wantlist: Bandcamp

New album: Jr. Gone Wild || Still Got The Jacket

Between 1983 and 1995, Canadian alternative country band Jr. Gone Wild was successful with five albums and countless epic live shows, combining folk and rock with a punk attitude. Over 25 years later, original members Mike McDonald (guitars, vocals), Steve Loree (lead guitar) and Dave “Dove” Brown (bass) have reunited, with McDonald’s nephew Quinton Herbert on drums (he’s replacing drummer Larry Shelast, who passed away in 2019). On their new double LP Still Got The Jacket, on which they pick up where they left off. The 16(!) new tracks are energetic, uplifting and danceable, a stunning mix of twangy rock, melodic country-punk and glorious power pop. Original tracks like Old and Ugly and Barricades are new classics, the cover of Chilliwack’s Fly At Night (featuring Chilliwack founder Bill Hendersen) is telling – “Four men in a rock ‘n’ roll band // Fly at night, in the morning we country” – and fits in well. You can hear the chemistry between skilled musicians, the hard-earned experience, and the joy of playing in everything. The band name may seem a bit strange in 2021 – time has not stood still (that also applies to the girl in the crowd) – but the four men not only still have their leather jackets, but also still play with the fire that characterized their performances back in the day. If this is what alt-country means, Jr. Gone Wild should continue like this.

Still Got The Jacket is out now digitally, on CD and vinyl 2LP through Stony Plain Records / (weewerk) Recordings.

Add to wantlist: Bandcamp || Discogs

New single: Lonely Girls || Reflections

Dutch drummer Kees Schaper has been playing as a live/session musician behind artists like Tim Easton, Jett Rebel and Tim Knol for over 15 years, but I mainly know him from garage rock band The Miseries: their self-titled album was number 11 in my year-end list of 2015, and live they were also very entertaining. I still hope that one day this will be continued, but for now Schaper has started a new project under the moniker of Lonely Girls, in which all lessons learned come together. Reflections, the A-side of their first single, is a classic melodic power pop song in which the complete expert bag of tricks is opened to reach perfection in two and a half minutes. The B-side is a nice folky cover of Nick Lowe’s Lately I’ve Let Things Slide, which does the original more than justice. With this, Lonely Girls will quickly find company.

Reflections is out now digitally and on limited 7″ vinyl through I Love My Label / Milkcow Records.

Add to wantlist: Bandcamp

New album: The Reytons || Kids off the Estate

UK indie rock band The Reytons – vocalist Jonny Yerrell (vocals), lead guitarist Joe O’Brien, bassist Lee Holland, and drummer Jamie Simpson – spent five years working towards the release of their debut album Kids Off The Estate. The bumpy journey to this moment can be seen in the documentary Becoming The Reytons on YouTube. Look where they are now – goosebumps all over when you hear a full house roar the lyrics of title track KOTE: “You don’t have to hate // The kids off the estate // Mates after a fate // And they called them Reytons” – an anthem for everyone who knows what it’s like to hang out on the street. The LP has 13 other infectious guitar rockers – we already knew a number of them from their previous EPs – that will do well everywhere (on the car radio, from your speakers at home, in the concert halls, etc.). The sound is reminiscent of hits that you often heard 15 years ago (Arctic Monkeys, Kaiser Chiefs, Courteeners, Dirty Pretty Things, etc.), hits like they are no longer made. The band members will never deny South Yorkshire’s working class, but let’s face it: with such great songs and such a convincing stage presence, they’ll be away from home a lot, to conquer the rest of the world. The Reytons are the ‘right ones’ to get that job done.

Kids off the Estate is out now on CD, cassette and vinyl LP through Scruff Of The Neck.

Add to wantlist: Discogs || The Reytons Shop || Scruff Of The Neck

New album: The Bug Club || Pure Particles

Is there such a thing as a typical addtowantlist.com band? The obvious answer is no, if only because we write about different genres. There are some common characteristics in the music we write about, though: short but powerful guitar songs, not polished, but catchy, full of emotions, authentic and convincing. Anyway, Niek and I regularly say to each other that a certain release really fits well with our blog, that it shouldn’t be missing, A good example of this is South Wales trio The Bug Club. Tilly Harris (bass, vocals), Sam Willmett (guitar/vocals), and Dan Matthew (drums) play riffing garage rock, rattling and naive, energetic and raucous, with humorous lyrics about the most important side issues of the first world’s life. After debut EP Launching Moondream One last spring (4 tracks in 8 minutes), they now have released the mini album Pure Particles (9 tracks in 20 minutes). It has everything we like. However, one small point of criticism: standout track My Baby Loves Rock & Roll Music ends with a fade-out. A typical addtowantlist.com band doesn’t do that. But who cares? 😉

Pure Particles is out now digitally and on 12″ vinyl through Bingo Records. RIYL Holiday Ghosts, The Wave Pictures, Jonathan Richman.

Add to wantlist: Bandcamp

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